{"id":9615,"date":"2016-02-17T16:14:35","date_gmt":"2016-02-17T16:14:35","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=9615"},"modified":"2016-02-17T16:14:35","modified_gmt":"2016-02-17T16:14:35","slug":"ea-e-baiat-bun-doua-reprezentatii-in-linia-de-productie","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/ea-e-baiat-bun-doua-reprezentatii-in-linia-de-productie\/","title":{"rendered":"Ea e b\u0103iat bun \u2013 dou\u0103 reprezenta\u021bii \u00een Linia de produc\u021bie"},"content":{"rendered":"<p style=\"text-align: justify;\">Ea e b\u0103iat bun se \u00eentoarce la Cluj pentru dou\u0103 reprezenta\u021bii \u00een cadrul stagiunii Linia de produc\u021bie \u2013 joi \u0219i vineri, 18 \u0219i 19 februarie, \u00een Sala Studio a Fabricii de Pensule. Reprezenta\u021biile vor avea loc de la ora 19.00 \u00een fiecare zi \u0219i fac parte din proiectul Hotspot.art \u2013 Art\u0103 \u0219i Cultur\u0103 Contemporan\u0103 pentru Comunit\u0103\u021bi, finan\u021bat printr-un grant oferit de Norvegia, Islanda, Liechtenstein \u0219i Guvernul Rom\u00e2niei \u0219i derulat de Fabrica de Pensule.<\/p>\n<p style=\"text-align: justify;\">Dup\u0103 premiera din cadrul festivalului Temps d&#8217;Images #8 (7-14 noiembrie 2015, Cluj) \u0219i participarea din cadrul Festivalului P\u00e9ril Jeune #8 \u2013 Confluences, Paris, spectacolul va participa \u00een acest an la festivalul Like CNDB, \u00een luna martie \u0219i \u00een Festival Europeen des Cultures Contemporaines din iulie la Bordeaux, urm\u00e2nd ca \u00een mai 2017 s\u0103 continue reprezenta\u021biile \u00een str\u0103in\u0103tate la teatrul Le Tarmac, Paris \u0219i Centrul Cultural Hangar 23 din Rouen.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/9.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-9619\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/9.jpg\" alt=\"9\" width=\"331\" height=\"500\" data-id=\"9619\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/9.jpg 636w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/9-198x300.jpg 198w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/9-624x941.jpg 624w\" sizes=\"(max-width: 331px) 100vw, 331px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Spectacolul are ca surs\u0103 de inspira\u021bie documentarul Rodica e b\u0103iat bun, realizat de Marian Ilea \u0219i Gheorghe Dinu \u0219i se concretizeaz\u0103 \u00eentr-un scenariu documentat, fragmentat \u00een mai multe capitole, care o prezint\u0103 pe EA\/EL \u0219i lupta care se d\u0103 \u00een interiorul s\u0103u: o femeie prizonier\u0103 \u00eentr-un corp de b\u0103rbat.<\/p>\n<p style=\"text-align: justify;\">Eugen Jebeleanu: \u201eConsider c\u0103 e esen\u0163ial ca teatrul s\u0103 se raporteze realit\u0103\u0163ii din jurul nostru, s\u0103 o chestioneze, iar un spectacol ca acesta, care pune \u00een discu\u0163ie formarea identita\u0163ii de gen \u00eentr-un mediu constr\u00e2ns de preconcep\u0163ii \u015fi mentalit\u0103\u0163i conservatoare, reprezint\u0103 pentru mine tragerea unui semnal de alarm\u0103 asupra privirii judec\u0103toare, ignorante sau discriminatoare pe care o putem avea fa\u0163\u0103 de o persoan\u0103 care face parte dintr-o minoritate, de orice fel.\u201d<\/p>\n<p style=\"text-align: justify;\">Ea e b\u0103iat bun<br \/>\nconcept \u015fi regie: Eugen Jebeleanu<br \/>\ncu: Florin Caracala<br \/>\nmuzic\u0103: Alex Halka<br \/>\ndecor \u0219i costume: Velica Panduru<br \/>\nO coproduc\u021bie Compagnie 28 \u0219i Colectiv A Cluj, \u00een parteneriat cu C\u0103minul Cultural. Un proiect sprijinit de Funda\u021bia ERSTE. Spectacol recomandat 16+.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/5.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-9618\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/5.jpg\" alt=\"5\" width=\"331\" height=\"500\" data-id=\"9618\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/5.jpg 635w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/5-198x300.jpg 198w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/5-624x943.jpg 624w\" sizes=\"(max-width: 331px) 100vw, 331px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Din copil\u0103rie, EL se consider\u0103 mai mult fat\u0103 dec\u00e2t b\u0103iat. I\u015fi spunea EA \u015fi purta rochii. EL\/EA a crescut cu acest\u0103 dilem\u0103. La 30 de ani, confuzia persist\u0103. Tr\u0103ie\u015fte \u00eentr-un sat din Maramure\u015f, c\u00e2nt\u0103 muzic\u0103 popular\u0103 la nun\u0163i si pe la baruri. Nimic neobi\u015fnuit, \u00eenafar\u0103 de faptul c\u0103 pe buletinul s\u0103u st\u0103 scris un nume de b\u0103rbat. In micul sat \u00een care tr\u0103ie\u015fte, EA pare s\u0103 fie pe deplin acceptat\u0103 de comunitate. Mai mult, s\u0103tenii sunt bucuro\u015fi c\u0103 Rom\u00e2nia a intrat \u00een Europa, \u00een felul \u0103sta s-ar putea c\u0103s\u0103tori \u015fi EA. EA \u00ee\u015fi poveste\u015fte via\u0163a, cum \u015fi pe cine a iubit, b\u0103rba\u0163i gelo\u015fi, iubiri care s-au terminat \u00een b\u0103t\u0103i. M\u0103rturise\u015fte cum a fost obligat\u0103 s\u0103 fac\u0103 prostitu\u0163ie \u00een Spania \u015fi cum s-a \u00eentors \u00een \u0163ar\u0103 mai mult moart\u0103 dec\u00e2t vie, drogat\u0103, curg\u00e2ndu-i s\u00e2ngele din nas \u015fi din gur\u0103 \u015fi legat\u0103 la perfuzii. Acum \u015fi-a cump\u0103rat ni\u015fte animale ca s\u0103 petreac\u0103 mai mult timp acas\u0103.<\/p>\n<p style=\"text-align: justify;\">Eugen Jebeleanu este licen\u0163iat \u00een actorie, promo\u0163ia 2010, UNATC Bucure\u015fti. A urmat cursurile Conservatorului Superior de Art\u0103 Dramatic\u0103 Paris \u015fi a fondat \u00een 2010, al\u0103turi de actorul \u015fi autorul francez Yann Verburgh Compania de teatru 28, unde de\u0163ine \u201erolurile\u201d de actor, regizor \u015fi director artistic. \u00cen 2012 regizeaz\u0103 trei spectacole de teatru \u00een Romania \u0219i Fran\u021ba, DONTCRYBABY dupa Scufi\u0163a Ro\u015fie de Fra\u0163ii Grimm, FIC\u021aIUNI MICI DE ROM\u00c2NIA dup\u0103 Regis Jauffret, co-produc\u0163ii Compagnie 28 cu Teatrul LUNI de la Green Hours \u0219i CANIN FeLIN, spectacol de teatru non verbal invitat la Festivalul de la Avignon. \u00cen 2013 semneaz\u0103 regia spectacolelor ALB (white dress code) dup\u0103 Elizabeth Egloff \u0219i RETOX (Rom\u00e2nia este \u021bara occidental xeroxat\u0103) de Eugen Jebeleanu.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/4.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-9617\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/4.jpg\" alt=\"4\" width=\"331\" height=\"500\" data-id=\"9617\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/4.jpg 635w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/4-198x300.jpg 198w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/4-624x943.jpg 624w\" sizes=\"(max-width: 331px) 100vw, 331px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Florin Caracala e regizor de teatru \u0219i performer. A absolvit Masteratul de Regie de teatru la UNATC Bucure\u0219ti, iar \u00een prezent este doctorand al Universit\u0103\u021bii de Arte \u201eGeorge Enescu\u201d din Ia\u0219i. Activeaz\u0103 ca artist \u00een mediul independent, cercet\u00e2nd sau actualiz\u00e2nd forme de expresie \u00een artele performative \u00eempreun\u0103 cu tineri actori, studen\u021bi la actorie sau cu persoane din medii sociale defavorizate.<\/p>\n<p style=\"text-align: justify;\">Velica Panduru a studiat la Universitatea Na\u0163ional\u0103 de Arte Bucure\u015fti \u015fi este laureat\u0103 a dou\u0103 premii UNITER pentru debut \u015fi scenografie. Printre spectacole la care a semnat decorul \u015fi costumele amintim num\u0103rul mare de spectacole realizate al\u0103turi de C\u0103t\u0103lina Buzoianu, \u201eMaestrul \u015fi Margareta\u201d regia Balazs Zoltan, Teatrul Na\u0163ional Radu Stanca Sibiu \u015fi \u201eBoala familiei M\u201d de Fausto Paravidino, regia Radu Afrim, Teatrul National Timi\u015foara, cel din urm\u0103 aduc\u00e2ndu-i \u015fi participarea la Quadrienala de Scenografie de la Praga.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/1.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-9616\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/1.jpg\" alt=\"1\" width=\"331\" height=\"500\" data-id=\"9616\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/1.jpg 636w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/1-198x300.jpg 198w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/02\/1-624x941.jpg 624w\" sizes=\"(max-width: 331px) 100vw, 331px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Alex Halka este absolvent al Faculta\u0163ii de Teatru, sec\u0163ia german\u0103, din cadrul Universit\u0103\u0163ii de Vest Timi\u015foara. Este Actor angajat al Teatrul German de Stat din Timi\u015foara. A \u00eenceput s\u0103 lucreze ca \u015fi creator de sunet \u015fi muzic\u0103 \u00een 2009 pentru piesa \u201eCameristele\u201d de Jean Genet, urm\u00eend ca mai apoi, p\u00e2n\u0103 \u00een prezent s\u0103 \u00ee\u015fi dedice timpul exclusiv crea\u0163iei sonore pentru numeroase spctacole din teatrul independent, de stat \u015fi pentru diverse performance-uri sau instala\u0163ii performative.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ea e b\u0103iat bun se \u00eentoarce la Cluj pentru dou\u0103 reprezenta\u021bii \u00een cadrul stagiunii Linia&#8230;<\/p>\n","protected":false},"author":22,"featured_media":9620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/9615"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=9615"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/9615\/revisions"}],"predecessor-version":[{"id":9621,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/9615\/revisions\/9621"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media\/9620"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=9615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=9615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=9615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}