{"id":9362,"date":"2016-01-17T13:55:21","date_gmt":"2016-01-17T13:55:21","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=9362"},"modified":"2016-01-17T13:55:21","modified_gmt":"2016-01-17T13:55:21","slug":"in-memoriam-theodor-danetti","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/in-memoriam-theodor-danetti\/","title":{"rendered":"In memoriam Theodor Danetti"},"content":{"rendered":"<p style=\"text-align: justify;\">\nTeatrul Evreiesc de Stat anun\u021b\u0103 cu profund\u0103 triste\u021be trecerea \u00een nefiin\u021b\u0103 a actorului <strong>Theodor Danetti<\/strong>, un maestru al scenei \u0219i un des\u0103v\u00e2r\u0219it m\u00e2nuitor al artei dramatice.<\/p>\n<p style=\"text-align: justify;\">N\u0103scut la 23 august 1926, \u00een ora\u0219ul Corabia, a absolvit Institutul de Art\u0103 Teatral\u0103 \u0219i Cinematografic\u0103 din Bucure\u0219ti \u00een anul 1955, la clasa profesorului Costache Antoniu. A fost repartizat la Teatrul de Stat din Baia Mare, dup\u0103 care a jucat la mai multe teatre din \u021bar\u0103: Teatrul Na\u021bional din Craiova, Teatrul Tineretului din Piatra-Neam\u021b, Teatrul Na\u021bional din T\u00e2rgu Mure\u0219, iar din 1973 la Teatrul Evreiesc de Stat. A mai jucat \u0219i pe alte scene bucure\u0219tene &#8211; Teatrul Bulandra \u0219i Teatrul Metropolis.<\/p>\n<p style=\"text-align: justify;\">Primul rol interpretat pe scena Teatrului Evreiesc de Stat a fost Himelfarb, din celebra comedie \u201dLozul cel mare\u201d, de \u0218alom Alehem. Au urmat Baronul Regnard \u00een \u201dCel care prime\u0219te palme\u201d, Marin \u00een \u201dIubiri\u201d, Cititorul de ziare \u0219i \u021aiferblat \u00een \u201dMenahem Mendel, om de afaceri\u201d, Preotul \u00een \u201dAndorra\u201d, Noe \u00een \u201dArca bunei speran\u021be\u201d, Mordhele \u00een \u201d\u00cen\u021belep\u021bii din Helem\u201d, Colonelul Stjerbinsky \u00een \u201dIacubowsky \u0219i colonelul\u201d, Boierul \u00een \u201dHer\u0219ele\u201d, Inv\u0103\u021b\u0103torul \u00een \u201dPor\u021bile p\u0103durii\u201d, Usque \u00een \u201dShylok\u201d, Str\u0103inul \u00een \u201dP\u00e2nza de p\u0103ianjen\u201d, Breitenbach \u00een \u201dWeek-end \u00een Paradis\u201d, precum \u0219i apari\u021bii pline de haz \u00een spectacolele de revist\u0103 ale TES \u201dUn g\u00e2nd, o lacrim\u0103, un z\u00e2mbet\u201d, \u201dSe caut\u0103 o stea\u201d, \u201dTrubaduri \u0219i purim\u0219pileri\u201d, dar \u0219i \u00een \u201dScutcircuit la creier\u201d, dramatizare de Adrian Lupu a unor schi\u021be de Dumitru Solomon.<\/p>\n<p style=\"text-align: justify;\">Un rol de referin\u021b\u0103 \u00een cariera sa a fost <strong>Rafail Fridlender<\/strong>, din Sonata Kreutzer, de Iacob Gordin, rol interpretat memorabil \u00een dou\u0103 variante regizorale diferite, cea a Olimpiei Arghir, din 1988, \u0219i a lui Moshe Yassur, din 2001.<\/p>\n<p style=\"text-align: justify;\">Ultimul s\u0103u rol pe scena Teatrului Evreiesc a fost Briquet, din \u201dCel care prime\u0219te palme\u201d, de Leonid Andreev.<\/p>\n<p style=\"text-align: justify;\">Remarcabil pentru vioiciunea spiritului, umorul s\u0103u incontestabil, modestia \u0219i elegan\u021ba sa, ata\u0219amentul fa\u021b\u0103 de cultura \u0219i limba idi\u0219, Theodor Danetti va r\u0103m\u00e2ne \u00een memoria noastr\u0103, a tuturor.<\/p>\n<p style=\"text-align: justify;\"><strong>Adio, Dodo! S\u0103-\u021bi fie memoria binecuv\u00e2ntat\u0103!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Teatrul Evreiesc de Stat anun\u021b\u0103 cu profund\u0103 triste\u021be trecerea \u00een nefiin\u021b\u0103 a actorului Theodor Danetti,&#8230;<\/p>\n","protected":false},"author":22,"featured_media":9363,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/9362"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=9362"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/9362\/revisions"}],"predecessor-version":[{"id":9364,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/9362\/revisions\/9364"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media\/9363"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=9362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=9362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=9362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}