{"id":8795,"date":"2015-09-17T15:22:54","date_gmt":"2015-09-17T15:22:54","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=8795"},"modified":"2015-09-17T15:28:50","modified_gmt":"2015-09-17T15:28:50","slug":"basmul-vogue-expozitia-care-te-va-cuceri-pe-loc","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/basmul-vogue-expozitia-care-te-va-cuceri-pe-loc\/","title":{"rendered":"Basmul Vogue: expozi\u0163ia care te va cuceri pe loc"},"content":{"rendered":"

\"image032\"<\/a>Foto:<\/span> Erwin Olaf, Vogue NL; Jan Vermeer, Getty<\/em> <\/span><\/p>\n

O nou\u0103 expozi\u0163ie, \u201eVogue \u00een picturi\u201d (Vogue: Like A Painting), scoate la lumin\u0103 felul \u00een care fotografii care au lucrat pentru Vogue au utilizat picturi celebre pentru a aduce \u00een aten\u0163a cititorilor o rochie sau o pereche de pantofi. Multe dintre lucr\u0103rile expuse apar\u0163in unor pictori celebri: Vermeer, fotografiat de Erwin Blumenfeld, Edward Hopper, John Everett Millais, Rossetti sau Magritte.<\/p>\n

Unii fotografi aleg o form\u0103 subtil\u0103 de imita\u0163ie, al\u0163ii au un stil mai pronun\u0163at, dar numitorul comun, spune curatorul Debra Smith este \u201epostura modelului, peste care timpul nu \u015fi-a pus amprenta, un soi de \u00eencetinire \u00een care totul r\u0103m\u00e2ne nemi\u015fcat.\u201d<\/p>\n

\"image034\"<\/a><\/p>\n

Foto:<\/span> Clifford Coffin, US Vogue <\/span><\/em><\/p>\n

\u00cencep\u00e2nd cu perioada Rena\u015fterii, hainele la mod\u0103 au reprezentat un aspect important al portretelor pictate (g\u00e2ndi\u0163i-v\u0103 la aten\u0163ia care se acorda unei bijuterii, unei man\u015fete gofrate sau felului \u00een care c\u0103dea satinul). Mai t\u00e2rziu, \u00een Europa secolului al XIX-lea \u2013 aceea\u015fi perioad\u0103 \u00een care s-a dezvoltat fotografia \u2013, au devenit populare picturile care se concentrau asupra modei.<\/p>\n

\"image036\"<\/a>Foto:<\/span> Cecil Beaton, US Vogue<\/em><\/i> <\/span><\/p>\n

Cond\u00e9 Montrose Nast, care a cump\u0103rat Vogue \u00een 1909 \u015fi a transformat-o \u00eentr-o revist\u0103 de mod\u0103 de top, \u015fi-a \u00eencurajat redactorii s\u0103 angajeze arti\u015fti. \u00cen anii \u201920 \u015fi \u201930, operele lui Salvador Dal\u00ed \u015fi Giorgio de Chirico au ap\u0103rut \u00een revist\u0103 al\u0103turi de fotografii avant-garde<\/i> f\u0103cute de Man Ray.<\/p>\n

\"image042\"<\/a> Foto: Paolo Roversi, Vogue Italia<\/span><\/em><\/p>\n

Tradi\u0163ia a continuat. \u00cencep\u00e2nd cu anii \u201940, Irving Penn care a realizat peste 150 de coperte pentru Vogue, Erwin Blumenfeld care, de asemenea, a fost fotograf al revistei \u00een anii \u201940 \u015fi \u201950 \u015fi al\u0163ii au \u00eencercat s\u0103 recreeze \u00een detaliu opera unor mari arti\u015fti, uneori folosind \u015fi celebrit\u0103\u0163i pentru a da picturilor o not\u0103 contemporan\u0103.<\/p>\n

\"image040\"<\/a>Foto:<\/span> Zurbar\u00e1n\/Prado, Madrid, Spania\/Bridgeman Images; Michael Thompson, US Vogue<\/em> <\/span><\/p>\n

Peter Lindbergh, a c\u0103rui pictur\u0103 \u00eenf\u0103\u0163i\u015f\u00e2nd patru fete care danseaz\u0103 \u00een jurul unui copac a fost inspirat\u0103 de \u201cDans pe muzica timpului\u201d a lui Nicolas Poussin \u015fi de genul f\u00eates galantes al perioadei rocco, a studiat artele plastice \u00een Germania la mijlocul anilor \u201960. Acesta sus\u0163ine c\u0103 pictura a avut o influen\u0163\u0103 puternic\u0103 asupra fotografiei lui: \u201eAm \u00eenv\u0103\u0163at multe despre compozi\u0163ie \u015fi despre alte aspecte vizuale, dar, de asemenea, despre c\u00e2t de important este s\u0103 \u00eencalci regulile, s\u0103 \u00ee\u0163i asumi riscul de a explora noi orizonturi \u00een opera ta.\u201d [\u2026] <\/p>\n

Expozi\u0163ia \u201eVogue \u00een picturi\u201d va fi deschis\u0103 la Muzeul Thyssen din Madrid p\u00e2n\u0103 pe 12 octombrie.<\/p>\n

Sursa articolului: The Telegraph UK, http:\/\/goo.gl\/iT1Uep<\/p>\n

Elisa Maxim<\/p>\n","protected":false},"excerpt":{"rendered":"

Foto: Erwin Olaf, Vogue NL; Jan Vermeer, Getty O nou\u0103 expozi\u0163ie, \u201eVogue \u00een picturi\u201d (Vogue:…<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[198,5249,4872,1431,5250,1654,5248],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8795"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=8795"}],"version-history":[{"count":6,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8795\/revisions"}],"predecessor-version":[{"id":8808,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8795\/revisions\/8808"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=8795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=8795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=8795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}