{"id":8619,"date":"2015-08-19T11:05:43","date_gmt":"2015-08-19T11:05:43","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=8619"},"modified":"2015-08-19T11:05:43","modified_gmt":"2015-08-19T11:05:43","slug":"teatru-de-umbre-japonez-in-cuba","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/teatru-de-umbre-japonez-in-cuba\/","title":{"rendered":"Teatru de umbre japonez \u00een Cuba"},"content":{"rendered":"<p>Pentru prima dat\u0103, cubanezii se vor delecta cu piesele teatrului de umbre japonez Kageboushi. Cele dou\u0103 spectacole cu intrare liber\u0103 fac parte dintr-un turneu al trupei \u00een America Central\u0103 \u015fi \u00een \u0163\u0103rile din zona Caraibelor.<\/p>\n<p>Directorul trupei, Yasuaki Yamasaki, a men\u0163ionat c\u0103 \u00een cadrul acestor spectacole, ce urmeaz\u0103 a avea loc la Teatrul Na\u0163ional din Havana, va fi folosit\u0103 tehnica umbrelor (de p\u0103pu\u015fi \u015fi de corpuri). Acesta a mai precizat c\u0103 trupa este interesat\u0103 s\u0103 creeze leg\u0103turi cu alte culturi.<\/p>\n<p>Trupa de teatru \u00eei va \u00eenc\u00e2nta pe cubanezi cu opere precum \u201eCopacul Mochi Mochi\u201d sau \u201eCocorul recunosc\u0103tor\u201d \u015fi cu un num\u0103r de pantomim\u0103.<\/p>\n<p>Va mai fi organizat \u015fi un workshop pentru copii \u015fi adolescen\u0163i, \u00een care ace\u015ftia vor avea ocazia de a-\u015fi crea propriul joc de umbre.<\/p>\n<p>Fondat\u0103 acum 37 de ani, trupa de teatru se dedic\u0103 dezvolt\u0103rii artei umbrelor, culorilor \u015fi a mi\u015fc\u0103rilor, printr-o serie de piese inspirate din pove\u015ftile tradi\u0163ionale japoneze \u015fi musical-uri.<\/p>\n<p>Sursa: http:\/\/hispanos.servidornoticias.com\/309_hispanic-world\/3261447_japanese-shadow-theater-company-to-perform-in-cuba-for-first-time.html<\/p>\n<p>Elisa Maxim<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pentru prima dat\u0103, cubanezii se vor delecta cu piesele teatrului de umbre japonez Kageboushi. Cele&#8230;<\/p>\n","protected":false},"author":1,"featured_media":8620,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[4872,5120,2001,5118,5119],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8619"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=8619"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8619\/revisions"}],"predecessor-version":[{"id":8621,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8619\/revisions\/8621"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media\/8620"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=8619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=8619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=8619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}