{"id":8263,"date":"2015-05-20T15:56:01","date_gmt":"2015-05-20T15:56:01","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=8263"},"modified":"2015-05-20T15:56:01","modified_gmt":"2015-05-20T15:56:01","slug":"guma-de-mestecat-arta-si-bucurestenii","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/guma-de-mestecat-arta-si-bucurestenii\/","title":{"rendered":"Guma de mestecat, arta \u015fi bucure\u015ftenii"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>Arta contemporan\u0103 nu e politicoas\u0103, apare acolo unde te a\u015ftep\u0163i mai pu\u0163in \u015fi apoi se \u0163ine scai de privirea ta. Uneori e de-a dreptul insistent\u0103, dar asta doar pentru c\u0103 are ceva de spus. Cam a\u015fa stau lucrurile \u015fi cu sculpturile din materiale mai mult sau mai pu\u0163in conven\u0163ionale care au acaparat \u00een ultimele zile aten\u0163ia trec\u0103torilor din zona Pie\u0163ei Revolu\u0163iei.<\/p>\n<div id='gallery-1' class='gallery galleryid-8263 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artout.ro\/reviste\/blog\/guma-de-mestecat-arta-si-bucurestenii\/cei7\/'><img width=\"150\" height=\"150\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/cei7-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/cei7-150x150.jpg 150w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/cei7-144x144.jpg 144w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/cei7-120x120.jpg 120w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artout.ro\/reviste\/blog\/guma-de-mestecat-arta-si-bucurestenii\/ceisapteanideacasa2\/'><img width=\"150\" height=\"150\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/ceisapteanideacasa2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/ceisapteanideacasa2-150x150.jpg 150w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/ceisapteanideacasa2-144x144.jpg 144w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/ceisapteanideacasa2-120x120.jpg 120w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artout.ro\/reviste\/blog\/guma-de-mestecat-arta-si-bucurestenii\/cei7anide-acasa\/'><img width=\"150\" height=\"150\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/Cei7anide-acasa-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/Cei7anide-acasa-150x150.jpg 150w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/Cei7anide-acasa-144x144.jpg 144w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/05\/Cei7anide-acasa-120x120.jpg 120w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>Sculpturile antropomorfe \u015fi dinozaurul\/c\u0103mila\/un-patruped \u2013\u00een- orice- caz roz au st\u00e2rnit deja reac\u0163ii destul de diverse. Turi\u015ftii r\u0103t\u0103ci\u0163i prin Bucure\u015fti \u00ee\u015fi fac con\u015ftiincios datoria de a poza exponatele, skaterii obi\u015fnui\u0163i s\u0103 exerseze pe marmura din jurul Obeliscului-Monument al Revolu\u0163iei se \u00eentreab\u0103 cum s\u0103 integreze obiectele \u00een antrenamentele lor de sear\u0103 , \u00een timp ce func\u0163ionarilor din ministerul din apropriere nu le r\u0103m\u00e2ne dec\u00e2t s\u0103 str\u00e2mbe zelos din nas. In fond, fiecare r\u0103spuns este justificat. Obiectele coboar\u0103 de pe soclu, \u00eencearc\u0103 s\u0103 interac\u0163ioneze cu trec\u0103torii , ini\u0163iaz\u0103 un dialog, fie el \u015fi contradictoriu. In umbra monumentului oficial, sculpturile contemporane par ni\u015fte intru\u015fi, dar asta este o parte important\u0103 a mesajului.<\/p>\n<p>C\u0103mila roz, cum a fost plastic numit\u0103 de cei mai mul\u0163i trec\u0103tori, nu este, de fapt, nimic mai mult dec\u00e2t o gigantic\u0103 gum\u0103 de mestecat gata s\u0103 se desprind\u0103 definitiv \u015fi s\u0103 se prind\u0103 de un pantof, o geant\u0103 sau o pereche nou\u0103 de pantaloni. Titlul <em>Cei (7)6 ani de acas\u0103<\/em> explic\u0103 motiva\u0163ia obiectului, guma de mestecat devenind un simbol al lipsei de respect , al indiferen\u0163ei cresc\u00e2nde cu care spa\u0163iul public este tratat \u00een Rom\u00e2nia. Sculptura nu \u00eencearc\u0103 s\u0103 vorbeasc\u0103 despre eroism, sacrificiu sau alte valori declarate pompos prin monumente oficiale inexpresive, ci despre <em>somnul ra\u0163iunii care na\u015fte mon\u015ftri<\/em>, l\u0103s\u00e2nd spa\u0163iul s\u0103 fie sufocat de obiecte. Guma supradimensionat\u0103 scoate indiferen\u0163a de sub pre\u015f, din col\u0163urile ascunse ale societ\u0103\u0163ii, \u015fi ne oblig\u0103 s\u0103 o privim cum \u00ee\u015fi extinde tentaculele ocup\u00e2nd tot mai mult spa\u0163iu \u015fi afect\u00e2nd p\u00e2n\u0103 la urm\u0103 omul. Nu \u00eent\u00e2mpl\u0103tor, sculpturile antropomorfe, fragmentare par fragile fa\u0163\u0103 de monstrul roz care se \u00eenal\u0163\u0103 \u00een spatele lor.<\/p>\n<p>Sculptura<em> Cei (7)6 ani de acas\u0103<\/em> realizat\u0103 de Ana Petrovici-Popescu nu este un obiect frumos, execu\u0163ia nu e perfect\u0103, nimeni cu a stat s\u0103 \u00eei lustruiasc\u0103 suprafa\u0163a, s\u0103 o fac\u0103 mai atr\u0103g\u0103toare. Este o mas\u0103 roz impertinent\u0103, al c\u0103rei mesaj ar fi fost contrazis de un lac prea lucios \u015fi de contururi precise.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Arta contemporan\u0103 nu e politicoas\u0103, apare acolo unde te a\u015ftep\u0163i mai pu\u0163in \u015fi apoi&#8230;<\/p>\n","protected":false},"author":1,"featured_media":8265,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8263"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=8263"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8263\/revisions"}],"predecessor-version":[{"id":8268,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8263\/revisions\/8268"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media\/8265"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=8263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=8263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=8263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}