{"id":8250,"date":"2015-05-20T15:17:17","date_gmt":"2015-05-20T15:17:17","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=8250"},"modified":"2015-05-20T15:20:35","modified_gmt":"2015-05-20T15:20:35","slug":"povesti-cu-si-despre-papusi","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/povesti-cu-si-despre-papusi\/","title":{"rendered":"Pove\u015fti cu \u015fi despre p\u0103pu\u015fi"},"content":{"rendered":"<p>Intre 19 \u015fi 28 mai Casa de Cultur\u0103 Friedrich Schiller se transform\u0103 \u00eentr-o veritabil\u0103 cas\u0103 de p\u0103pu\u015fi ad\u0103postind crea\u0163iile studen\u0163ilor UNARTE.<\/p>\n<p>Inspirate de p\u0103pu\u015file amerindiene, japoneze, ruse\u015fti, lucr\u0103rile tinerilor arti\u015fti ne reamintesc c\u0103 joaca are \u00eentotdeauna un substrat serios, p\u0103pu\u015file fiind \u00een acest caz pun\u0163i c\u0103tre culturi, spa\u0163ii sau epoci diferite. Astfel, p\u0103pu\u015fa supradimensionat\u0103 devine un pretext pentru r\u0103sp\u00e2ndirea unor pove\u015fti apar\u0163in\u00e2nd unor lumi \u00eendep\u0103rtate\u00a0precum Mexic, Japonia, Africa sau India.<\/p>\n<p>Expun: Steliana B\u0103d\u0103l\u0103u, Iulia B\u0103l\u0103\u015foiu, Raluca Diaconu, Dana Dinc\u0103, Oana Doru\u015f, Bianca Ivan, Cristian Menghe\u015fi, Daria Vlad, Andreea St\u0103nc\u0103lie, studen\u0163i ai ciclului Licen\u0163\u0103 &#8211; anul II \u015fi Master &#8211; anul II, Departamentul Arte Textile \u015fi Design Textil, Facultatea de Arte Decorative \u015fi Design, Universitatea Na\u0163ional\u0103 de Arte Bucure\u015fti, coordona\u0163i de conferen\u0163iar univ. dr. Daniela Frumu\u015feanu.<\/p>\n<p>Expozi\u0163ia poate fi vizitat\u0103 conform urm\u0103torului program\u00a0:<\/p>\n<p>10-16 luni-miercuri<\/p>\n<p>10-18 joi-vineri<\/p>\n<p>10-17 s\u00e2mb\u0103ta<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Intre 19 \u015fi 28 mai Casa de Cultur\u0103 Friedrich Schiller se transform\u0103 \u00eentr-o veritabil\u0103 cas\u0103&#8230;<\/p>\n","protected":false},"author":1,"featured_media":8251,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8250"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=8250"}],"version-history":[{"count":2,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8250\/revisions"}],"predecessor-version":[{"id":8253,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8250\/revisions\/8253"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media\/8251"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=8250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=8250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=8250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}