\u00cen\u0219ir\u2019te m\u0103rg\u0103rite<\/p>\n
Am fost invitat\u0103 la piesa „In\u0219ir-te m\u0103rg\u0103rite”, dupa Victor Eftimiu, \u00een regia lui Dan Puric, \u00een Sala Mare, la Teatrul Na\u021bional Bucure\u0219ti. A fost o bucurie \u00een sine doar s\u0103 p\u0103\u0219esc \u00een sala proasp\u0103t deschis\u0103 dup\u0103 cei patru ani de renovare \u0219i modernizare ai cl\u0103dirii, fiind ca o a doua deschidere a Teatrului Na\u021bional I.L. Caragiale. Este o sal\u0103 elegant\u0103, cu adev\u0103rat spectaculoas\u0103, \u00eembr\u0103cat\u0103 complet \u00eentr-un ro\u0219u regal. Este impresionant\u0103 capacitatea s\u0103lii, capabil\u0103 s\u0103 g\u0103zduiasc\u0103 950 de locuri, c\u00e2t \u0219i dimensiunea scenei a c\u0103rei deschidere este de 10 m. De remarcat sunt \u0219i dot\u0103rile sceno-tehnice. Sala Mare dispune de un sistem de iluminat performant, care \u00een acela\u0219i timp confer\u0103 un aspect elegant tavanului.<\/p>\n
Piesa s-a bucurat de un public numeros \u0219i entuziast, a\u0219a cum merita. Am avut pl\u0103cerea s\u0103 urm\u0103resc un spectacol impresionant at\u00e2t prin povestea simbolic\u0103, c\u00e2t \u0219i prin punerea \u00een scen\u0103 a personajelor \u00eembr\u0103cate \u00een costume superbe semnate de Doina Levin\u021ba \u0219i a numerelor deosebite de dans \u0219i coregrafie. „In\u0219ir-te m\u0103rg\u0103rite” este un basm modern despre valori morale \u0219i iubire. De\u0219i este un basm, interpretarea este una dramatic\u0103, cu scene \u0219i referin\u021be de o profunzime matur\u0103. Dan Puric reu\u0219e\u0219te s\u0103 reinterpreteze textul original \u00een viziunea sa, aduc\u00e2nd astfel \u00een fa\u021ba spectatorilor o poveste actual\u0103, cu inser\u021bii de simboluri religioase dar \u0219i unele moderne cum ar fi cautarea cu GPS-ul, folosirea telefonului pentru a face selfie-uri, \u0219.a.m.d. Se p\u0103streaz\u0103 totu\u0219i simbolistica personajelor clasice basmelor rom\u00e2ne\u0219ti, Ileana Cos\u00e2nzeana, F\u0103t-Frumos, Zmeul Zmeilor, Z\u00e2na Florilor. <\/p>\n
Piesa se prezint\u0103 ca o combina\u021bie de teatru cu momente emo\u021bionante de dans contemporan, tango, flamenco, dans popular rom\u00e2nesc, balet \u0219i step. Poate cele mai reu\u0219ite momente au fost cele de coregrafie, cum ar fi scena duhurilor rele care \u201cjoac\u0103\u201d \u00een ritmul Zmeului Zmeilor. Acesta a fost un moment impresionant de step \u0219i pantomim\u0103, cu un joc de lumini magnetic.<\/p>\n
Recomand tuturor s\u0103-\u0219i rezerve timp pentru a se bucura de art\u0103, s\u0103 ias\u0103 din c\u00e2nd \u00een c\u00e2nd din rutina cotidian\u0103 \u0219i s\u0103 se lase transpu\u0219i \u00een lumea creat\u0103 de arti\u0219ti. \u00cen plus, recomand teatrul pentru c\u0103 reu\u0219e\u0219te s\u0103 transmit\u0103 cel mai direct emo\u021biile actorilor \u0219i ne ajut\u0103 s\u0103 ne re-descoperim, iar piesa „In\u0219ir-te m\u0103rg\u0103rite” este cu siguran\u021b\u0103 o pies\u0103 capabil\u0103 s\u0103 induc\u0103 toate aceste emo\u021bii \u0219i tr\u0103iri, \u00eentr-un decor fermec\u0103tor.<\/p>\n
\u00cen\u0219ir`te m\u0103rg\u0103rite
\ndup\u0103 Victor Eftimiu, versiune scenic\u0103 de Dan Puric
\nRegia: Dan Puric
\nScenografie: Doina Levintza
\nMuzica original\u0103: Gheorghe Zamfir
\nAsistent regie: Drago\u0219 Huluba
\nIlustra\u021bie muzical\u0103: Dan Puric
\nCoregrafie: Svetlana Zotina, Gabi Blodoi
\nAsistent coregrafie: Eduard Adam
\nCoregrafie step: Dan Puric, Gabi Blodoi
\nAsistent coregrafie step: Ana Pepine
\nCoregrafie dans popular: Costic\u0103 B\u0103l\u0103r\u0103u
\nAsistent coregrafie dans popular: Cristina M\u0103rghidan
\nArte mar\u021biale: Maestrul Zhu Rong Fu
\nAnima\u021bie: Sergiu Negulici, Ioana Nicoar\u0103, Manuela Marcovici, Ruxandra Corduneanu, Laura-Anca Ad\u0103sc\u0103li\u021bei
\nLight design: Alin Popa
\nSound design: Alex B\u0103isan
\nRegizor scen\u0103: Lu\u021bu Scobeniuc, Costic\u0103 Lup\u0219a
\nData premierei: 19.04.2015
\nDurata: 3 h 10 min \/
\nPauz\u0103: Da<\/p>\n
Sorana Dinu<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00cen\u0219ir\u2019te m\u0103rg\u0103rite Am fost invitat\u0103 la piesa „In\u0219ir-te m\u0103rg\u0103rite”, dupa Victor Eftimiu, \u00een regia lui…<\/p>\n","protected":false},"author":1,"featured_media":8153,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[2482,278,4734,3691,589,4726,668,4746,4247,4733,2631,4741,4745,4740,4739,4724,3732,1154,4728,1664,4737,4732,4736,2871,4727,4730,2355,4729,1873,1910,4738,4433,1998,4731,4271,2019,4744,2083,4735,4725,4743,4742],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8152"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=8152"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8152\/revisions"}],"predecessor-version":[{"id":8154,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/8152\/revisions\/8154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media\/8153"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=8152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=8152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=8152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}