{"id":7695,"date":"2015-02-19T13:30:45","date_gmt":"2015-02-19T13:30:45","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=7695"},"modified":"2015-02-19T13:30:45","modified_gmt":"2015-02-19T13:30:45","slug":"explozie-intre-mozart-si-salieri","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/explozie-intre-mozart-si-salieri\/","title":{"rendered":"Explozie \u00eentre MOZART \u015fi SALIERI"},"content":{"rendered":"<p>17 februarie 2015<br \/>\n<figure id=\"attachment_7697\" aria-describedby=\"caption-attachment-7697\" style=\"width: 229px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Cristian-Macelaru-foto-Virgil-Oprina.jpg\"><img loading=\"lazy\" data-id=\"7697\"  src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Cristian-Macelaru-foto-Virgil-Oprina-229x300.jpg\" alt=\"Cristian M\u0103celaru\" width=\"229\" height=\"300\" class=\"size-medium wp-image-7697\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Cristian-Macelaru-foto-Virgil-Oprina-229x300.jpg 229w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Cristian-Macelaru-foto-Virgil-Oprina-782x1024.jpg 782w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Cristian-Macelaru-foto-Virgil-Oprina-624x816.jpg 624w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Cristian-Macelaru-foto-Virgil-Oprina-900x1177.jpg 900w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Cristian-Macelaru-foto-Virgil-Oprina.jpg 1011w\" sizes=\"(max-width: 229px) 100vw, 229px\" \/><\/a><figcaption id=\"caption-attachment-7697\" class=\"wp-caption-text\">Cristian M\u0103celaru<\/figcaption><\/figure><br \/>\n<figure id=\"attachment_7696\" aria-describedby=\"caption-attachment-7696\" style=\"width: 200px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Alexandru-Tomescu.jpg\"><img loading=\"lazy\" data-id=\"7696\"  src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Alexandru-Tomescu-200x300.jpg\" alt=\"Alexandru Tomescu\" width=\"200\" height=\"300\" class=\"size-medium wp-image-7696\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Alexandru-Tomescu-200x300.jpg 200w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Alexandru-Tomescu-683x1024.jpg 683w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Alexandru-Tomescu-624x935.jpg 624w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Alexandru-Tomescu-900x1348.jpg 900w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2015\/02\/Alexandru-Tomescu.jpg 961w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-7696\" class=\"wp-caption-text\">Alexandru Tomescu<\/figcaption><\/figure><\/p>\n<p>Doi compozitori al c\u0103ror destin artistic este legat prin rela\u0163ia conflictual\u0103 descris\u0103 (\u00een form\u0103 fic\u0163ionalizat\u0103) \u00een celebra pies\u0103 de teatru Amadeus (\u015fi \u00een pelicula cinematografic\u0103 omonim\u0103) &#8211; Mozart \u015fi Salieri, \u015fi doi muzicieni rom\u00e2ni de mare valoare &#8211; dirijorul Cristian M\u0103celaru \u015fi violonistul Alexandru Tomescu, se \u00eent\u00e2lnesc pe scena S\u0103lii Radio!<\/p>\n<p>Vineri, 20 februarie (ora 19:00), al\u0103turi de Orchestra Na\u0163ional\u0103 Radio, \u00eel ve\u0163i aplauda a\u015fadar pe Cristian M\u0103celaru, dirijor asociat al Filarmonicii din Philadelphia, cu o frumoas\u0103 carier\u0103 \u00een special \u00een S.U.A \u015fi \u00een Canada \u015fi pe violonistul Alexandru Tomescu, solistul Orchestrelor \u015fi Corurilor Radio care are privilegiul de a c\u00e2nta pe vioara Stradivarius Elder-Voicu.<\/p>\n<p>Repertoriul serii este construit pe baza al\u0103tur\u0103rii \u201eincendiare&#8221; \u00eentre Concertul nr. 2 \u00een re major pentru vioar\u0103 \u015fi orchestr\u0103 creat de Mozart \u015fi Sinfonia Veneziana, semnat\u0103 de contemporanul s\u0103u, compozitorul italian Antonio Salieri, \u00eentre cei doi arti\u015fti spun\u00e2ndu-se c\u0103 ar fi existat o mare rivalitate artistic\u0103. Crea\u0163iile lui Salieri au intrat \u00eentr-un con de umbr\u0103 p\u00e2n\u0103 \u00een sec. XX, c\u00e2nd faima sa a fost \u201erecreat\u0103&#8221; de piesa de teatru Amadeus, semnat\u0103 de dramaturgul Peter Shaffer \u015fi devenit\u0103 extrem de cunoscut\u0103 gra\u0163ie ecraniz\u0103rii regizorului Milo\u0161 Forman.<\/p>\n<p>Ve\u0163i asculta, de asemenea, \u015fi una dintre cele nou\u0103 simfonii beethoveniene &#8211; Simfonia a VII-a, dirijat\u0103 la premiera absolut\u0103 de la Viena (8 decembrie 1813) de Beethoven \u00eensu\u015fi, concertul respectiv fiind unul caritabil pentru solda\u0163ii r\u0103ni\u0163i \u00een b\u0103t\u0103lia de la Hanau. De\u015fi Beethoven considera c\u0103 aceast\u0103 simfonie este una dintre cele mai reu\u015fite lucr\u0103ri ale sale, p\u0103rerile muzicienilor \u015fi ale criticilor au fost extrem de diverse.<\/p>\n<p>Cu o activitate dirijoral\u0103 \u00een plin\u0103 ascensiune, Cristian M\u0103celaru \u015fi-a \u00eenceput cariera al\u0103turi de Philadelphia Orchestra, \u00een stagiunea 2010-2011 a fost numit dirijor asistent al aceleia\u015fi orchestre, fiind distins cu Sir Georg Solti Emerging Conductor Award pentru merite deosebite. A studiat la Universitatea Rice \u015fi a ob\u0163inut diploma de master pentru dirijat. Av\u00e2nd \u015fi forma\u0163ie de violonist, Cristian M\u0103celaru a fost concertmaestru al Orchestrei Simfonice din Miami, debut\u00e2nd la Carnegie Hall cu aceea\u015fi orchestr\u0103. Cristian M\u0103celaru a fost invitat s\u0103 dirijeze Orchestra Simfonic\u0103 din Chicago pentru a-l \u00eenlocui pe Pierre Boulez.<\/p>\n<p>Stagiunea 2011-2012 a inclus colabor\u0103ri cu Orchestra Simfonic\u0103 din Houston \u015fi Baltimore, Civic Orchestra din Chicago, precum \u015fi cu Orchestra Philadelphia, \u00een prezent fiind dirijor asociat al Filarmonicii din Philadelphia. Cristian M\u0103celaru colaboreaz\u0103 \u00een mod curent cu Orchestra M\u00e9tropolitain din Montreal, Orchestrele Simfonice din Washington, Seattle, Toronto, Baltimore. De asemenea, Cristian M\u0103celaru a debutat cu succes al\u0103turi de Orchestra Simfonic\u0103 din G\u00f6teborg, Suedia.<\/p>\n<p>Alexandru Tomescu a evoluat de nenum\u0103rate ori at\u00e2t al\u0103turi de Orchestra de Camer\u0103 Radio, c\u00e2t \u015fi al\u0103turi de Orchestra Na\u0163ional\u0103 Radio, pe scena S\u0103lii Radio, dar \u015fi peste hotare, \u00een turnee \u00een Europa \u015fi Asia. Concerte de Mozart, Bruch sau Mendelssohn printre altele, sus\u0163inute de Alexandru Tomescu al\u0103turi de cele dou\u0103 ansambluri, s-au materializat \u00een \u00eenregistr\u0103ri lansate de c\u0103tre Editura Casa Radio.<\/p>\n<p>Alexandru Tomescu a concertat \u00een s\u0103li celebre ale principalelor metropole ale muzicii: Carnegie Hall (New York), Walt Disney Concert Hall (Los Angeles), Th\u00e9\u00e2tre des Champs Elys\u00e9es (Paris), Concertgebouw (Amsterdam) etc.<\/p>\n<p>Turneul Stradivarius, conceput \u00een jurul viorii de colec\u0163ie pe care c\u00e2nt\u0103, este un eveniment anual care l-a purtat pe t\u00e2n\u0103rul violonist de nenum\u0103rate ori \u00een \u00eentreaga \u0163ar\u0103. A interpretat cele trei mari Integrale ale repertoriului pentru vioar\u0103 solo \u2013 cele 24 de Capricii de Niccol\u00f2 Paganini, cele \u015ease Sonate de Eug\u00e8ne Ysa\u00ffe \u015fi cele \u015ease Sonate \u015fi Partite de Johann Sebastian Bach, turneele fiind urmate de o lansare de DVD sau CD, produse discografice ce s-au bucurat de un mare succes.<\/p>\n<p>Pasionat \u00een egal\u0103 m\u0103sur\u0103 de muzica de camer\u0103, Alexandru Tomescu a evoluat mai \u00eent\u00e2i \u00een Romanian Piano Trio (2005-2010), iar din 2011 este prim violonist al Cvartetului Ad Libitum, ansamblu cameral de prestigiu, cu o istorie de peste 25 de ani.<\/p>\n<p>Concertul poate fi ascultat \u00een direct pe toate frecven\u0163ele Radio Rom\u00e2nia Cultural \u015fi Radio Rom\u00e2nia Muzical din \u0163ar\u0103 \u015fi \u00een streaming live pe internet pe www.radioromaniacultural.ro \u015fi www.romania-muzical.ro.<\/p>\n<p>Biletele sunt disponibile pe www.bilete.ro, \u00een oficiile Po\u015ftei Rom\u00e2ne, \u00een magazinele Inmedio semnalizate Bilete.ro, \u00een magazinele Germanos \u015fi la casa de bilete a S\u0103lii Radio.<\/p>\n<p>Alte informa\u0163ii legate de Orchestrele \u015fi Corurile Radio, pe www.orchestreradio.ro sau www.orchestreradio.com.<\/p>\n<p>Accesul la Sala Radio, cu transportul \u00een comun, se poate face cu liniile de tramvai nr. 24 \u015fi 44 p\u00e2n\u0103 la sta\u0163ia Radio Rom\u00e2nia \u2013 Pia\u0163a Virgiliu (Str. Berzei la intersec\u0163ia cu \u015etirbei Vod\u0103, \u00een apropierea str\u0103zii Berthelot). Pute\u0163i de asemenea alege mijloacele de transport care circul\u0103 \u00een apropiere \u2013 Str. Mircea Vulc\u0103nescu, Str. Berzei, Str. \u015etirbei Vod\u0103, Bd. Eroilor, Calea Plevnei, Bd. Dinicu Golescu &#8211; autobuzele 133, 178, 126, 168, 226, 368.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>17 februarie 2015 Doi compozitori al c\u0103ror destin artistic este legat prin rela\u0163ia conflictual\u0103 descris\u0103&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[4546,4547,4548],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/7695"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=7695"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/7695\/revisions"}],"predecessor-version":[{"id":7698,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/7695\/revisions\/7698"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=7695"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=7695"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=7695"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}