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<\/a> True Vlad<\/p>\nProiectul vizual Dracolax al artistului Radu Carnariu este o parodie noir a consumismului rom\u00e2nesc post-comunist, o poveste politic\u0103 de groaz\u0103 cu un singur personaj: vampirul mediatic, animal social autohton, un anti-erou captiv \u00een biografia fic\u021bional\u0103 a unei \u021b\u0103ri care latr\u0103, dar nu mu\u0219c\u0103. Vampirul mediatic e o personificare grosier\u0103 a consumismului audio-vizual globalizat ca mediacra\u021bie; estetic\u0103 a manipul\u0103rii sinestezice, mediacra\u021bia se insinueaz\u0103 drept o religie a mijloacelor care scuz\u0103 scopul; super-eroi ai sclavagismului mediatic, ne descompunem (auto)hipnotiza\u021bi \u00een secven\u021be identitare fugitive, excitate p\u00e2n\u0103 la mistificare de retorica sezonier\u0103 a telecomenzii, a mouse-ului, a senzorului capacitiv; suntem confisca\u021bi \u0219i substitui\u021bi de ecranele caleidoscopice ale unui turn babel mediatic; \u00eengropa\u021bi sub o c\u0103pi\u021b\u0103 de etichete viu colorate, ambala\u021bi la 4 ace \u00een stereotipiile unor convingeri semipreparate, nu mai \u0219tim unde s\u0103 d\u0103m click c\u0103tre liberul arbitru, acest musafir interior nepoftit care, sper\u0103m, nu-\u0219i va lua liber de pe desktop-ul con\u0219tiin\u021bei- mai ales c\u0103, adev\u0103rata transmisiune \u00een direct \u00eencepe dup\u0103 ce ecranele \u00ee\u0219i \u00eenchid ochii \u0219i ne trezim exila\u021bi din propriul interval de fiin\u021bare, ni\u0219te bipezi de pop-corn cu termenul de valabilitate expirat, animale sociale \u00eemp\u0103iate \u00een muzeul imaginar al unui umanism fosil. Imaginarul propus \u00een acest proiect hiperbolizeaz\u0103 antiteza-cli\u0219eu dintre visul american \u0219i co\u0219marul rom\u00e2nesc accentu\u00e2nd burlescul picanteriilor caracteriale ale societ\u0103\u021bii rom\u00e2ne\u0219ti actuale: halloween-ul politic, oportunismul barbar, vampirismul economic, sincronismul pripit, religiozitatea ipohondr\u0103, cinismul fricos, resemnarea indulgent\u0103, servilismul invidios, mediocritatea condescendent\u0103, violen\u021ba mieroas\u0103 sunt doar c\u00e2teva dintre ridurile de expresie ce ne schimonosesc \u00eenc\u0103 profilul psihologic na\u021bional. ……………………………………………………………… http:\/\/www.artyourselfgallery.ro\/<\/p>\n The explosion In regards of the art, it can be said, sometimes, that the gateway, occasionally called the artist, would be the force. Imposing oneself on to the non(yet)erupted universe. The aberrant apparatus, sometimes-called art will strike back at the gateway producing, for a certain period of time a back and forth change of energy. Materialized energy in audio-visual perplexity.<\/a> Hellcome<\/p>\n<\/a> Hell-O-Winner<\/p>\n<\/a> Revolution After Party<\/p>\n
\nMotto: Media a devenit mediu de via\u021b\u0103. Mediu care ecraneaz\u0103 lumea. \/ Bogdan Ghiu, EVUL MEDIA SAU OMUL TERMINAL<\/p>\n
\nCea de-a doua expozitie din spatiul Art Yourself creata de Cristiana Negoescu in Ad Fractal Infinitum este o experien\u0163a imaginar\u0103 \u00eentre astrologie ca istorie \u015fi interconexiuni, o nou\u0103 viziune despre teoria vacuumului \u015fi principiile cosmologiei.<\/p>\n<\/a> A Very Long Story<\/p>\n
\nThe principles of cosmology will vary as long as new theories will be creates, when technology will advance, even more, we will just be put in front of a new limit of our awareness (within all the senses \u2013 or when the senses will stop making sense).
\n\u201c 1. Every body continues in a state of rest or uniform motion in a straight line unless it is compelled to change that state by forces impressed upon it.
\n 2. Rate of change of momentum is proportional to the impressed force, and is in the direction in which the force acts.
\n3. To every action, there will always be opposed and equal reaction. (COSMOLOGY A very short introduction, Peter Coles, OXFORD 2001)
\nThis principle of the explosion, and the force impressed on the explosion, will be a state of madness and chaos in the visual desire\/pleasure. <\/p>\n<\/a> Ad Fractal Infinitum<\/p>\n
\nUsually the product of this conversation will remain present for a longer period of the, composing and recomposing the Universe until further limits (or non-limits) will be discovered.
\nThe emancipation of any colour would be, (among other equally important facts and restraints) the dissipation of contour.
\nThen the chaos could begin to take its rightful place.
\nThe theory of the vacuum
\nAlso known as spiral\/ tornado\/ reference to the unified forces of the field etc.
\nThe combined blows in retrospective \u2013 will only give you the gist of what\u2019s to come and finish a new chapter. All future in regard will just be inversed. All past in regard will just be a consequence of all the future (regarding or not)
\nThe dates will not be as important as they used to be, regarding anything as the usual causality.
\n\u201cThe twin assumption of homogeneity and isotropy are related but not equivalent. Isotropy does not necessarily imply homogeneity without the additional assumption that the observer in not in a special place.\u201d \/ (Cosmology, Peter Coles)
\nAre you considering yourself to be in a special place?
\nHow did the facts and happenings from your second past life affected you and how do you think they\u2019re going to mess with your customary reference to your actual waking life continuum?
\nAnd now, the most important question: Why?
\nIf your point of station is not a special one, (in this particular example) would you be able to bend time and space, in order to create a two-way wormhole?
\nHow do you think this principle altered past historical currency and knowledge? (Whatever that\u2019s supposed to mean)
\nLet all the butterflies come in, indulge yourself, bend the time and space continuum, and the first sight of the event horizon. <\/p>\n