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<\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\nPurt\u00e2ndu-ne \u00eentr-o drume\u021bie caleidoscopic\u0103 prin mai multe destine umane, cei doi inspir\u0103 \u00een aceea\u015fi m\u0103sur\u0103 ilaritate \u015fi solemnitate. Parcurgem filmul, degust\u00e2nd frumuse\u021bea \u0219i absurditatea momentului prezent, \u00eenconjura\u021bi de oameni mult prea similari cu noi. Este o c\u0103l\u0103torie care dezv\u0103luie frumuse\u021bea momentelor singulare, umorul \u0219i tragedia ascuns\u0103 \u00een noi, grandoarea vie\u021bii, precum \u0219i fragilitatea fundamental\u0103 a omenirii.
\nTrailer: https:\/\/www.youtube.com\/watch?v=Ghj4yIk7AtQ
\nAndersson creeaz\u0103 ceva \u201easemeni unei colabor\u0103ri \u00eentre Monty Python \u0219i Samuel Beckett, \u00een ultimele zile ale Noii Obiectivit\u0103\u021bi\u201d, dup\u0103 cum spune Robbie Collin, jurnalist pentru The Telegraph, ad\u0103ug\u00e2nd \u201etrebuie doar s\u0103 te ui\u021bi, apoi s\u0103 apuci o plas\u0103 \u0219i s\u0103 \u00eencerci s\u0103-\u0163i convingi sufletul s\u0103 coboare \u00eenapoi din tavan.\u201d
\nVorbind despre film, Andersson spune: \u201e\u00cen ultimele mele dou\u0103 filme am \u00eendr\u0103znit s\u0103 p\u0103r\u0103sesc realismul \u0219i naturalismul, intr\u00e2nd pe teritoriul esteticii abstracte. Aceast\u0103 ambi\u021bie reflect\u0103 curentul artistic Noua Obiectivitate, care a cuprins Germania \u00een anii 1920. Amestecul lor de realitate \u015fi fantezie a dus la un fel de super-realism, o ambi\u021bie pe care o am, de asemenea, pentru A PIGEON SAT ON A BRANCH…, \u00een care abstractizarea urmeaz\u0103 s\u0103 fie condensat\u0103, purificat\u0103, \u0219i simplificat\u0103; secven\u0163ele trebuie s\u0103 apar\u0103 cur\u0103\u021bate, ca amintirile \u0219i visele. Nara\u021biunea nonlinear\u0103 a Odiseei, o lucrare ce are o profunzime unic\u0103 \u015fi impun\u0103toare, este o surs\u0103 de inspira\u021bie pentru acest film. Natura \u0219i con\u021binutul epice ale filmului fac referire la bog\u0103\u021bia tematic\u0103 \u0219i contextual\u0103 a Odiseei. C\u0103l\u0103toria din A PIGEON SAT ON A BRANCH… va implica aspecte nenum\u0103rate ale existen\u021bei, ale realit\u0103ti \u0219i timpului.\u201d
\nMai multe informa\u0163ii despre film sunt disponibile pe site-ul oficial: http:\/\/www.royandersson.com\/pigeon\/
\nDup\u0103 succesul impresionant avut anul trecut, programul dedicat filmelor-dans revine la Festivalul Interna\u0163ional de Film Experimental BIEFF, de aceast\u0103 dat\u0103 \u00een parteneriat cu unul dintre cele mai importante festivaluri europene de film coregrafic CINEDANS – Dance on Screen Festival Amsterdam. Cinematograful \u0219i dansul fuzioneaz\u0103 \u00een \u015fapte scurtmetraje fermec\u0103toare, \u00een care corpul uman devine sinonim cu emo\u021bia, un mijloc de definire a propriei identit\u0103\u021bi, de revendicare a spa\u021biului urban, o expresie a dragostei \u0219i a comunit\u0103\u021bii.<\/p>\n
I AM THE ONLY spune povestea maturiz\u0103rii unui b\u0103iat \u00een contextul unei rela\u021bii problematice dintre el \u0219i familia lui. \u00cen imagini simbolice, ni se arat\u0103 personalitatea ne\u00eenfricat\u0103, \u00een plin proces de dezvoltare a copilului, \u00een contrast cu atitudinea ira\u021bional\u0103, tem\u0103toare a rudelor sale mai \u00een v\u00e2rst\u0103. (Gabriela Lupu, BIEFF)
\nContinu\u00e2nd povestea maturiz\u0103rii personale, INTRINSIC MORAL EVIL urm\u0103re\u015fte doi barba\u021bi ce intr\u0103 \u00eentr-un joc, trupurile lor atr\u0103g\u00e2ndu-se \u0219i resping\u00e2ndu-se printr-o senzualitate sinuoas\u0103. Corpurile dar si identit\u0103\u021bile lor se urm\u0103resc reciproc spre destina\u021bia lor final\u0103 – cea a auto-emancip\u0103rii \u0219i m\u00e2ndriei, str\u0103lucind \u00een fa\u021ba prejudec\u0103\u021bilor. (Andrei T\u0103n\u0103sescu, BIEFF)
\nTrec\u00e2nd la experien\u0163a universal\u0103 a iubirii, FLIGHT OF LIFE prive\u015fte c\u0103tre un cuplu t\u00e2n\u0103r ce ia micul dejun \u00eempreun\u0103 \u0219i se \u00eendreapt\u0103, \u015fof\u00e2nd pe coasta unui munte, spre o petrecere. O dram\u0103 efervescent\u0103, FLIGHT OF LIFE poart\u0103 privitorul \u00eentr-o c\u0103l\u0103torie atemporal\u0103 \u0219i fatidic\u0103 ce leag\u0103 dou\u0103 suflete de cursul vie\u021bii. (Andrei T\u0103n\u0103sescu, BIEFF)
\nDe asemenea abord\u00e2nd tema dragostei, BETWEEN ENTRANCE AND EXIT este un film \u00eembog\u0103\u021bit cu o joac\u0103 abil\u0103 \u00een conven\u021biile genului de film (thriller, comedie burlesc\u0103, melodram\u0103) ce prezint\u0103 via\u021ba ca pe o cas\u0103 b\u00e2ntuit\u0103, abandonat\u0103, \u00een captivitatea c\u0103reia se g\u0103sesc amintirile unei pove\u0219ti de dragoste sf\u00e2\u0219ietoare. \u00centr-o rela\u021bie disfunc\u021bional\u0103, ca un pian dezacordat, cei doi protagoni\u0219ti se caut\u0103 \u0219i se g\u0103sesc \u00een mod repetat \u00eentr-un labirint de camere \u0219i oglinzi, fiecare reprezent\u00e2nd o alt\u0103 etap\u0103 a unui cerc vicios de dragoste \u0219i ur\u0103. (Gabriela Lupu, BIEFF)
\n\u00cendrept\u00e2ndu-\u0219i privirea de la experiente personale tr\u0103ite \u00een intimitate, la interac\u0163iunea dintre oameni \u0219i mediul \u00een care acestia tr\u0103iesc, HORIZON aduce o perspectiv\u0103 proasp\u0103t\u0103 asupra rolului spa\u021biului urban. De\u0219i tratat cu umor, filmul relev\u0103 un subiect serios \u0219i anume c\u0103 orizontul r\u0103m\u00e2ne doar un concept \u00eentr-o societate obsedat\u0103 de ascensiune.(Gabriela Lupu, BIEFF)
\nC\u00e2\u015ftig\u0103tor al premiului acordat de public la CINEDANS, SLOW este un performance care prezint\u0103 organismul uman dezarmat, \u00eenconjurat de jungla ora\u015fului, marc\u00e2nd \u00eentr-un mod \u00eenc\u00e2nt\u0103tor \u0219i excep\u0163ional contrastul dintre traseul corpului uman lipsit de ap\u0103rare si lumea agitat\u0103 ce-l \u00eenconjoar\u0103.
\nDe asemenea concentrat asupra rela\u0163iei dintre individ \u015fi mediul (de data aceasta comunitar) \u00een care acesta tr\u0103ie\u015fte, THE GINGER CONNECTION este un film despre outsiders \u0219i despre sentimentul de apartenen\u021b\u0103, despre legatura nespus\u0103 dintre oamenii ro\u0219cati, vazut\u0103 \u00een corela\u021bie cu dansul. Antrenant, cu un poten\u021bial de manifest socio-artistic, filmul degaj\u0103 optimism, \u00eendemn\u00e2nd minorita\u021bile s\u0103 se adune. (Gabriela Lupu, BIEFF)<\/p>\n","protected":false},"excerpt":{"rendered":"
C\u00e2\u0219tig\u0103torul Leului de Aur la Vene\u0163ia 2014, ROY ANDERSSON, \u00een deschiderea BIEFF \u2022 C\u00e2\u015ftig\u0103tor al…<\/p>\n","protected":false},"author":1,"featured_media":6716,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[3935,3932,3711,447,3938,3931,2623,885,3884,903,3937,3929,3933,3930,3934,3936],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/6715"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=6715"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/6715\/revisions"}],"predecessor-version":[{"id":6719,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/6715\/revisions\/6719"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media\/6716"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=6715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=6715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=6715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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