Symphactory Strings Quartet \u2013 o sear\u0103 de concert la \u00eenceput de toamn\u0103<\/p>\n
Symphactory Strings Quartet, av\u00e2nd la vioar\u0103 1 pe Monica B\u0103l\u0103\u0219oiu, concert maestru \u0219i prezentatoare, vioar\u0103 2 \u2013 Iulia B\u0103ndil\u0103, viol\u0103 \u2013 Iulia R\u0103ileanu \u015fi violoncel \u2013 Flaminia Nastai au prezentat mar\u021bi, seara de 16 septembrie, un concert \u00een stilul mai pu\u021bin conformist al acestui cvartet.
\nCele patru soliste au \u00eenc\u00e2ntat prin muzic\u0103 \u015fi prezen\u0163a mai mult dec\u00e2t agreabil\u0103 \u00een sala cald\u0103 \u201eCinema\u201d a Palatului Cercului Militar din Bucure\u0219ti, acum \u00een prag aniversar pentru vechiul nostru Bucure\u015fti care \u00eempline\u015fte rotunda v\u00e2rst\u0103 de 555 de ani. Cvartetul ne-a oferit un spectacol animat \u0219i colorat asemenea frunzelor de toamn\u0103 \u00eeng\u0103lbenite, \u00eenro\u015fite, \u00eennegrite de trecerea lor prin ciclul neiert\u0103tor al vie\u0163ii \u015fi astfel am fost purta\u0163i prin diverse stiluri muzicale care apar\u0163in de areale geografice \u015fi culturale diferite. Programul muzical a constat \u00een interpretarea unor melodii celebre, rodul crea\u0163iei marilor arti\u015fti ai secolului al XX-lea care \u00een timp au f\u0103cut \u00eenconjurul globului \u015fi au r\u0103mas \u015fi vor r\u0103m\u00e2ne mereu vii \u00een inimilor oamenilor de pretutindeni, indiferent de genera\u0163ie, ele apar\u021bin\u00e2nd curentelor de jazz, cha cha cha, rock, swing pop, bossa nova, can\u0163onete, tango, blues \u2013uri etc. Aceste celebre armonii muzicale au fost transpuse \u00een aranjamente muzicale pentru cvartetul de corzi care au delectat publicul bucure\u015ftean, \u00een final, aplauzele nesf\u00e2r\u015fite \u015fi complimentele din sal\u0103, neoprindu-se p\u00e2n\u0103 ce acest fermec\u0103tor cvartet feminin, precum un buchet de flori de mai, nu au \u00eencheiat seara cu un bis al nu mai pu\u0163in celebrului \u201eBesame mucho\u201d.
\nC\u00e2ntece care ne-au marcat via\u0163a prin originalitatea lor, c\u00e2ntece despre iubire, despre via\u0163\u0103 \u015fi modul autentic de a fi \u015fi de a tr\u0103i, c\u00e2ntece din care r\u0103zbate cu putere bucuria de a tr\u0103i \u015fi de a fi tu \u00eensu\u0163i: It\u2019s my life, Perhaps, New York, New York, My Way, Strangers in the night, Evening Shadows, You can leave your hat on, Tango \u201cPor una Cabeza\u201d, din filmul \u201cScent of a Woman\u201d, He is a pirate (din filmul Pirates of the Caribbean), Coldplay \u2013 Viva la vida, Puttin\u2019 on the Ritz, Sway, Cherry pink, La vie en rose \u0219i Autumn Leaves, What a wonderful world, Sex Bomb. Aceste buc\u0103\u0163i muzicale c\u00e2ntate cu un succes memorabil \u015fi inegalabil de o pleiad\u0103 de c\u00e2nt\u0103re\u021bi \u0219i genera\u0163ii de c\u00e2nt\u0103re\u0163i, precum Frank Sinatra, Edith Piaf, Tom Jones, Bon Jovi, Doris Day, Lila Downs, Taco, Dean Martin Louis Armstrong, Michael Buble \u0219.a au prins via\u021b\u0103 \u00een armonia a patru instrumente de corzi, m\u00e2nuite de patru artiste ce au transpus \u00eentr-un mod neconven\u021bional aceste genuri de muzic\u0103 c\u0103tre muzica de camer\u0103.
\nUn spectacol despre care am numai cuvinte de laud\u0103, acest lucru dorind s\u0103 arate c\u0103 succesul unor proiecte muzicale private, precum este cel al Symfactory Orchestra \u021bine de calitatea \u015fi valoarea actului artistic, de armonia echipei de corzi, de dorin\u0163a de a \u00eemp\u0103rt\u0103\u015fi publicului bucuria de a c\u00e2nta \u015fi, nu \u00een ultimul r\u00e2nd, de tinere\u0163ea molipsitoare a artistelor \u015fi entuziasmul lor de a-\u015fi vedea planurile\/visurile \u00eemplinite.
\nDorind mult succes in continuare proiectului Symfactory Orchestra a\u0219tept\u0103m cu interes s\u0103 fim din nou pl\u0103cut surprin\u0219i cu apari\u021bii noi \u0219i incitante. <\/p>\n
Gabriela Tudose<\/p>\n","protected":false},"excerpt":{"rendered":"
Symphactory Strings Quartet \u2013 o sear\u0103 de concert la \u00eenceput de toamn\u0103 Symphactory Strings Quartet,…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[525,938,954,3552,3551],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/5916"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=5916"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/5916\/revisions"}],"predecessor-version":[{"id":5917,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/5916\/revisions\/5917"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=5916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=5916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=5916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}