{"id":5304,"date":"2014-06-25T11:04:01","date_gmt":"2014-06-25T11:04:01","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=5304"},"modified":"2014-06-25T11:10:04","modified_gmt":"2014-06-25T11:10:04","slug":"amalia-enache-recomanda-comedia-parc","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/amalia-enache-recomanda-comedia-parc\/","title":{"rendered":"Amalia Enache recomand\u0103 comedia \u201c\u00cen parc\u201d"},"content":{"rendered":"<p style=\"text-align: center;\">Amalia Enache recomand\u0103 comedia \u201c\u00cen parc\u201d<\/p>\n<p>Cunoscuta prezentatoare de \u0219tiri, Amalia Enache \u00ee\u0219i petrece timpul liber \u00eembin\u00e2nd utilul cu pl\u0103cutul printr-o sear\u0103 la teatru, chiar \u0219i \u00een toiul verii. Crainica tv sus\u021bine tinerii arti\u0219ti \u0219i mai ales spectacolele de teatru contemporan, precum comedia \u201e\u00cen \u00a0parc\u201dscris\u0103 \u0219i regizat\u0103 de Radu Iacoban, cu Rodica Laz\u0103r \u0219i Istvan Teglas, care va avea loc s\u00e2mb\u0103t\u0103, 28 iunie, ora 22:00 la Godot Cafe-Teatru, str. Bl\u0103nari nr 14. A\u0219adar, teatrul contemporan rom\u00e2nesc are spectatori de soi.<\/p>\n<p><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/06\/Amalia-Enache_\u00cen-parc.jpg\"><img loading=\"lazy\" class=\"aligncenter size-medium wp-image-5305\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/06\/Amalia-Enache_\u00cen-parc-300x168.jpg\" alt=\"Amalia Enache_\u00cen parc\" width=\"300\" height=\"168\" data-id=\"5305\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/06\/Amalia-Enache_\u00cen-parc-300x168.jpg 300w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/06\/Amalia-Enache_\u00cen-parc-1024x576.jpg 1024w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/06\/Amalia-Enache_\u00cen-parc-624x351.jpg 624w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<blockquote><p>\u201cO banc\u0103\u00a0<strong>\u00een parc<\/strong>. Mihai Eminescu \u0219i Veronica Micle, \u00een miez de noapte, imediat dupa revelion. Regele Ferdinand \u0219i Mi\u021ba Biciclista, pun\u00e2nd \u021bara la cale. Marele criminal R\u00e2maru al\u0103turi de Mihaela, una dintre victime. Un avocat \u0219i amanta sa, \u00een zilele noastre. Fiecare are povestea lui, fiecare are problemele lui. Toate se \u00eent\u00e2mpla \u00een acela\u0219i loc, pe aceea\u0219i banc\u0103.C\u00e2\u021bi dintre noi se g\u00e2ndesc la povestea obiectelor? C\u00e2\u021bi dintre noi tin min\u021be, cu exactitate, un loc dintr-un parc? Un copac, o banc\u0103, o statuie\u2026 S\u0103 tin\u0103 minte ca FIX pe banca aia s-au s\u0103rutat prima oar\u0103. Ori ca fix l\u00e2ng\u0103 acel copac \u0219i-au \u00eent\u00e2lnit jum\u0103tatea.Spectacolul\u00a0<strong>\u00cen Parc<\/strong>\u00a0este, \u00een acela\u0219i timp, o lec\u021bie de istorie. Replicile personajelor sunt reale, fiind extrase din scrisori ori din discu\u021biile dintre personaje.\u201d (Emil C\u0103linescu)<a href=\"http:\/\/emilcalinescu.eu\/wp-content\/uploads\/IMG_6824.jpg\"><br \/>\n<\/a><\/p>\n<p>\u201eIndiferent de ce val ne poart\u0103 \u00een aceast\u0103 imita\u021bie modern\u0103 de eden, \u00een intimitatea ei ne reg\u0103sim adesea visele \u00een\u0219irate la poarta ne\u00eemplinirii. Pentru c\u00e2teva clipe, avem impresia c\u0103 totul e posibil doar pentru c\u0103 nimeni altcineva nu ne aude. Radu Iacoban \u00ee\u0219i imagineaz\u0103 patru pove\u0219ti de iubire inedite. Ce au ele \u00een comun? Aceea\u0219i banc\u0103 din parc ce pare s\u0103 concentreze un microunivers de emo\u021bii \u0219i secrete. \u00cent\u00e2lnirile clandestine au un farmec atemporal tocmai pentru c\u0103 sfideaz\u0103 conven\u021bia. Regizorul ne-a preg\u0103tit un spectacol \u00eempodobit cu nuan\u021bele enigmatice ale vie\u021bii care se petrece dincolo de larma societ\u0103\u021bii. Cinicii nu au de ce s\u0103 se \u00eengrijoreze, pentru c\u0103, \u00een ciuda aparen\u021belor, romantismul nu de\u021bine rolul principal. Replicile \u0219i dinamica personajelor sunt condimentate cu o delicioas\u0103 ironie. De\u0219i, dac\u0103 ar fi s\u0103 a\u0219ez cu gra\u021bie punctul pe i, a\u0219 zice c\u0103 cele patru mini-episoade \u00eenf\u0103\u021bi\u0219eaz\u0103 o parodie smuls\u0103 din bra\u021bele fiec\u0103rei epoci prezente pe scen\u0103.\u201d (Teodora Gheorghe, scriitor)<\/p>\n<p>\u00cen timp ce o a\u0219teapt\u0103 \u00een parc, Eminescu o cheam\u0103 pe Veronica prin versuri.\u00a0Regele Ferdinand se afl\u0103 \u00eentr-o \u00eent\u00e2lnire discret\u0103 cu sf\u0103tuitoarea sa, Mi\u021ba Biciclista, care \u00eel ajut\u0103 s\u0103 ia decizii importante cum ar fi intrarea \u00een r\u0103zboi. (\u00c0\u00a0la guerrre! \u00c0\u00a0la guerre, Maiestate! Da\u2019 cu cine?\u00a0Cum cu cine? Cu oricine!)<\/p>\n<p>O student\u0103 proasp\u0103t sc\u0103pat\u0103 de la servici crede c\u0103 poate g\u0103si marea iubire oriunde, inclusiv la un necunoscut, binecunoscut criminal \u00een serie al anilor \u201970, pe c\u00e2nd comunismul era \u00een floare, iar accesul la informa\u021bie era interzis. (Nu se scrie \u00een pres\u0103 ca s\u0103 nu se sperie lumea.)\u00a0 (Judy Florescu, Ziarul Metropolis)<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Amalia Enache recomand\u0103 comedia \u201c\u00cen parc\u201d Cunoscuta prezentatoare de \u0219tiri, Amalia Enache \u00ee\u0219i petrece timpul&#8230;<\/p>\n","protected":false},"author":1,"featured_media":5305,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[2676,3020,3016,2658,3018,1153,3019,3021,3017,1998,2070],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/5304"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=5304"}],"version-history":[{"count":2,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/5304\/revisions"}],"predecessor-version":[{"id":5307,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/5304\/revisions\/5307"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media\/5305"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=5304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=5304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=5304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}