{"id":4915,"date":"2014-05-07T06:00:04","date_gmt":"2014-05-07T06:00:04","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=4915"},"modified":"2014-05-07T06:01:21","modified_gmt":"2014-05-07T06:01:21","slug":"ana-ularu-si-istvan-teglas-patru-povesti-de-amor-parc","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/ana-ularu-si-istvan-teglas-patru-povesti-de-amor-parc\/","title":{"rendered":"Ana Ularu si Istvan Teglas – patru povesti de amor \u201eIn parc\u201d"},"content":{"rendered":"

Ana Ularu \u0219i Istvan Teglas – patru pove\u0219ti de amor \u201e\u00cen parc\u201d<\/p>\n

Comedia \u201e\u00cen \u00a0parc\u201dscris\u0103 \u0219i regizat\u0103 de Radu Iacoban cu Ana Ularu \u0219i Istvan Teglas va avea loc duminic\u0103, 11 mai, ora 19:00 la Godot Cafe-Teatru, str. Bl\u0103nari nr 14. Accesul \u00een sala de spectacol se face \u00een baza rezerv\u0103rilor la numerele de telefon 0736414244\/ 021 3161682 zilnic \u00eentre orele 12:00 \u0219i 19:00.<\/p>\n

\"Ana<\/a><\/p>\n

\u00cen timp ce o a\u0219teapt\u0103 \u00een parc, Eminescu o cheam\u0103 pe Veronica prin versuri.\u00a0Regele Ferdinand se afl\u0103 \u00eentr-o \u00eent\u00e2lnire discret\u0103 cu sf\u0103tuitoarea sa, Mi\u021ba Biciclista, care \u00eel ajut\u0103 s\u0103 ia decizii importante cum ar fi intrarea \u00een r\u0103zboi. (\u00c0\u00a0la guerrre! \u00c0\u00a0la guerre, Maiestate! Da cu cine?\u00a0Cum cu cine? Cu oricine!)<\/em><\/p>\n

\u00a0O student\u0103 proasp\u0103t sc\u0103pat\u0103 de la servici crede c\u0103 poate g\u0103si marea iubire oriunde, inclusiv la un necunoscut, binecunoscut criminal \u00een serie al anilor \u201970, pe c\u00e2nd comunismul era \u00een floare, iar accesul la informa\u021bie era interzis. (Nu se scrie \u00een pres\u0103 ca s\u0103 nu se sperie lumea.)<\/em><\/p>\n

\u00a0Telefoanele sunt cele mai ocupate creaturi electronice ale zilelor noastre. C\u00e2nd nu sun\u0103, primesc mesaje \u0219i, concomintent, mailuri sau poze sau like-uri pe facebook. Aceste telefoane n-ar tr\u0103i dac\u0103 nu ar fi utilizatorii lor con\u0219tiincio\u0219i \u0219i perseveren\u021bi. Dac\u0103 lumea modern\u0103 a \u00eenceput s\u0103 angajeze oameni care s\u0103 stea pe Facebook, atunci \u00een viitorul apropiat folosirea telefonului mobil ar trebui s\u0103 devin\u0103 un loc de munc\u0103 stabil. <\/em><\/p>\n

De\u0219i construit cu tehnologia minim\u0103 a singurului cafe-teatru din Bucure\u0219ti, la care se adaug\u0103 fundal sonor de deschiz\u0103toare de bere \u0219i farfurii z\u0103ng\u0103ninde, plus elemente olfactive cum ar fi fum sau m\u00e2nc\u0103ric\u0103 aburind, spectacolul ,,\u00cen parc\u201d s-ar preta negre\u0219it unui spa\u021biu de teatru conven\u021bional. <\/em><\/p>\n

Vedem practic patru piese de teatru toate bine segmentate \u00eentr-un ceas \u0219i, \u00een afar\u0103 de situa\u021biile care ne st\u00e2rnesc r\u00e2sul, suntem p\u0103rta\u0219i la faptele unor oameni care au influen\u021bat vie\u021bile genera\u021biilor str\u0103vechi, oameni despre care afl\u0103m din manuale de gimnaziu sau de pe google. Regizorul a g\u00e2ndit cele patru roluri feminine, se pare, pentru a fi jucate de dou\u0103 actri\u021be: Rodica Laz\u0103r \u0219i Ana Ularu, p\u0103str\u00e2nd rolurile masculine exclusiv actorului Istvan Teglas.<\/em> (Judy Florescu, Ziarul Metropolis)<\/p>\n","protected":false},"excerpt":{"rendered":"

Ana Ularu \u0219i Istvan Teglas – patru pove\u0219ti de amor \u201e\u00cen parc\u201d Comedia \u201e\u00cen \u00a0parc\u201dscris\u0103…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[2482,2697,2521,1153,1664,1694,1998],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/4915"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=4915"}],"version-history":[{"count":3,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/4915\/revisions"}],"predecessor-version":[{"id":4919,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/4915\/revisions\/4919"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=4915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=4915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=4915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}