{"id":4821,"date":"2014-04-28T17:49:03","date_gmt":"2014-04-28T17:49:03","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=4821"},"modified":"2014-04-28T17:49:03","modified_gmt":"2014-04-28T17:49:03","slug":"rokolectiv-2014","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/rokolectiv-2014\/","title":{"rendered":"Rokolectiv 2014"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>\u00a0Rokolektiv 2014<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Muzica se reinventeaz\u0103, se caut\u0103 noi forme de expresie. Influen\u021bele muzicii moderne nu mai vin dinspre Vest. Vechile forme \u0219i-au pierdut rostul \u00een contextul actual, iar arti\u0219tii invita\u021bi la Festivalul de muzic\u0103 electronic\u0103 aduc o briz\u0103 de aer tare \u0219i proasp\u0103t pentru cei care vor sa asculte &#8222;altceva\u201d.<\/p>\n<p><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Rokolectiv.jpg\"><img loading=\"lazy\" class=\"aligncenter size-medium wp-image-4822\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Rokolectiv-300x228.jpg\" alt=\"Rokolectiv\" width=\"300\" height=\"228\" data-id=\"4822\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Rokolectiv-300x228.jpg 300w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Rokolectiv.jpg 899w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Festivalul interna\u021bional Rokolectiv, aflat anul acesta la cea de-a noua edi\u021bie, a fost inaugurat de artistul polonez Wilhelm Bras \u0219i instala\u021biile sale inovative. Presta\u021biile au fost hipnotizante: sunete brute, metalice, dar cu coloratur\u0103 electrizant\u0103 au f\u0103cut senza\u021bie. \u00cen seara de deschidere a urmat Innode, un proiect austriac fondat de Stefan N\u00e9meth al\u0103turi de Steven Hess \u0219i tobo\u0219arul Bernhard Breuer. Albumul Innode alterneaz\u0103 ritmuri energice cu pauze de lini\u0219te, linii izbitoare, zgomote albe, experimentalism \u0219i improviza\u021bie.<\/p>\n<p>La finalul serii William Bennett, fondatorul forma\u021biei Whitehouse, considerat\u0103 una dintre pionierii genului power electronics, a prezentat proiectul Cut Hands. Percu\u021biile africane din muzica lui William Bennett trezesc st\u0103ri primitive prin influen\u021bele africane \u0219i vaudou inspirate de muzica ritualurilor din Haiti. Ritmurile c\u00e2ntate la toba african\u0103 numit\u0103 djembe, caracterizeaz\u0103 \u00eentreg proiectul Cut Hands \u0219i a fost o idee inspirat\u0103, conform declara\u021biilor, de un bun prieten de-al artistului, care a tr\u0103it o perioad\u0103 \u00een Congo.<\/p>\n<p>Invita\u021bii din a doua noapte a Festivalului au fost Pharoah Chromium din Germania, Forest Swords, Dubbel Dutch, Dreamrec \u0219i Bogman, iar pe 26 aprilie au urmat Adrian Enescu, Redinho, Hush Hush, Stellar OM Source \u0219i Alejandro Paz.<\/p>\n<p>Sunetele \u0219i presta\u021biile avangardiste pot declan\u0219a tr\u0103iri nea\u0219teptate, de care putem deveni con\u0219tien\u021bi doar experiment\u00e2nd lucruri noi. Cu toate c\u0103 prefer sunetele armonioase, prima zi a Festivalului de muzic\u0103 electronic\u0103 m-a trimis \u00eentr-un timp al \u00eenceputurilor, al omului s\u0103lbatic, dominat at\u00e2t de team\u0103, c\u00e2t \u0219i de sentimentul libert\u0103\u021bii. Rokolectiv este o experien\u021b\u0103 care merit\u0103 tr\u0103it\u0103, chiar \u0219i de cei care nu sunt mari fani ai genului, pentru c\u0103 au ce descoperi despre propria persoan\u0103, iar formula artistic\u0103 a Festivalului este una inedit\u0103.<\/p>\n<div id='gallery-1' class='gallery galleryid-4821 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artout.ro\/reviste\/blog\/rokolectiv-2014\/innode-1\/'><img width=\"150\" height=\"150\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-1-150x150.jpg 150w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-1-120x120.jpg 120w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artout.ro\/reviste\/blog\/rokolectiv-2014\/innode-2\/'><img width=\"150\" height=\"150\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-2-150x150.jpg 150w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-2-120x120.jpg 120w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artout.ro\/reviste\/blog\/rokolectiv-2014\/innode-3\/'><img width=\"150\" height=\"150\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-3-150x150.jpg 150w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-3-120x120.jpg 120w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/artout.ro\/reviste\/blog\/rokolectiv-2014\/innode-4\/'><img width=\"150\" height=\"150\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-4-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" loading=\"lazy\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-4-150x150.jpg 150w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2014\/04\/Innode-4-120x120.jpg 120w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\">Recenzie de Ana-Maria Birdan<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0Rokolektiv 2014 \u00a0 Muzica se reinventeaz\u0103, se caut\u0103 noi forme de expresie. Influen\u021bele muzicii moderne&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[2622,2623,885,1775,2621],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/4821"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=4821"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/4821\/revisions"}],"predecessor-version":[{"id":4827,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/4821\/revisions\/4827"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=4821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=4821"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=4821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}