{"id":347,"date":"2011-05-23T13:47:08","date_gmt":"2011-05-23T11:47:08","guid":{"rendered":"http:\/\/blog.artout.ro\/?p=347"},"modified":"2011-05-23T13:47:08","modified_gmt":"2011-05-23T11:47:08","slug":"expozitia-cuiul-si-oglinda-sasa-liviu-stoianovici","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/expozitia-cuiul-si-oglinda-sasa-liviu-stoianovici\/","title":{"rendered":"Expozitia Cuierul si Oglinda &#8211; Sasa &#8211; Liviu Stoianovici"},"content":{"rendered":"<p>&nbsp;<\/p>\n<pre style=\"text-align: center; \"><strong>Cuierul \u015fi oglinda<\/strong><\/pre>\n<pre style=\"text-align: center; \"><strong>Expozi\u0163ie Sa\u015fa-Liviu Stoianovici<\/strong><\/pre>\n<pre style=\"text-align: center; \"><strong>11 &ndash; 25 mai, Sala Foaier, Muzeul Na\u0163ional al \u0162\u0103ranului Rom&acirc;n<\/strong><\/pre>\n<pre style=\"text-align: center; \">Vernisaj: miercuri, 11 mai, 18.00<\/pre>\n<pre style=\"text-align: center; \">&nbsp; &nbsp;&nbsp;<\/pre>\n<p style=\"text-align: justify; \">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<img alt=\"\" src=\"http:\/\/b365.realitatea.net\/wp-content\/uploads\/2011\/05\/af-mtr-2011-bun-copy.jpg\" style=\"border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; width: 150px; height: 216px; \" \/><\/p>\n<p style=\"text-align: justify; \">&nbsp; &nbsp; &nbsp; &nbsp;<\/p>\n<p style=\"text-align: justify; \">Format la Timi\u015foara, Sa\u015fa-Liviu Stoianovici practic\u0103 cu egal\u0103 pasiune muzica experimental\u0103 \u015fi artele vizuale &icirc;ntr-un amestec bine dozat, m\u0103rturie pentru aceasta st&acirc;nd filmul unui performance muzicalo-culinar, desf\u0103\u015furat la Maastricht \u015fi intitulat <strong><em>Cina<\/em><\/strong>. G\u0103tind m\u0103m\u0103lig\u0103 pentru public, &icirc;ntr-un sofisticat aranjament tehnic viz&acirc;nd at&acirc;t proiectarea imaginii suprafe\u0163ei fierb&acirc;nd, c&acirc;t \u015fi amplificarea sunetelor, produse &icirc;n timpul prepar\u0103rii, amestecate cu mixaje electronice, artistul a ob\u0163inut efecte nea\u015fteptate, cu note hilare, dar &icirc;n acela\u015fi timp cu o trimitere la gesturi simple, nesofisticate, &icirc;n c\u0103utarea unei identit\u0103\u0163i autentice.<\/p>\n<p style=\"text-align: justify; \">&nbsp;<\/p>\n<p style=\"text-align: justify; \">Sa\u015fa-Liviu Stoianovici nu este interesat doar de aspectul antropologico-artistic al recept\u0103rii unor moduri de existen\u0163\u0103 apropiate de via\u0163a arhaic\u0103, dar \u015fi de comentarii cu caracter politic, evoc&acirc;nd pe scurt \u015fi simplu un trecut istoric (pauperizarea \u0163\u0103ranilor &icirc;n timpul comunismului, salvarea unei p\u0103r\u0163i a societ\u0103\u0163ii rom&acirc;ne\u015fti prin &bdquo;tehnici de supravie\u0163uire&rdquo; &icirc;n condi\u0163ii istorice \u015fi politice potrivnice). Astfel, prezen\u0163a stranie a unei m\u0103m\u0103ligi uscate peste care st\u0103 a\u015fezat\u0103 o medalie comunist\u0103 &bdquo;de merit&rdquo; trimite explicit la unele evenimente din trecutul nostru, cum ar fi momentul colectiviz\u0103rii propriet\u0103\u0163ilor agricole.<\/p>\n<p>&nbsp;<\/p>\n<p align=\"right\">Ileana Pintilie<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Poate pentru c\u0103 at&acirc;rn\u0103 pe noi, din ce &icirc;n ce mai grele cu trecerea anilor, ajungem s\u0103 le ag\u0103\u0163\u0103m, la r&acirc;ndul lor, pe unde apuc\u0103m. Sp&acirc;nzura\u0163i f\u0103r\u0103 carne, leg\u0103n&acirc;ndu-se &icirc;n cuier.<\/p>\n<p>Neat&acirc;rnarea, un cuv&acirc;nt \u015flefuit &icirc;n <em>iepoca<\/em>, m&acirc;ndrie patriotic\u0103 a \u0163&acirc;mburu\u015fului care ajunge s\u0103 se cread\u0103 buric de Univers.<\/p>\n<p>Din c&acirc;nd &icirc;n c&acirc;nd, pe at&acirc;rnatele astea, care ne acoper\u0103 buricul, suspend\u0103m una, alta. O bro\u015f\u0103, un m\u0103r\u0163i\u015for, o floricic\u0103 de nunt\u0103, o panglic\u0103 de doliu. O <em>isign\u0103<\/em>. Semne. &Icirc;ntre pu\u015ftiul cu role, cozorocul pe ceaf\u0103 \u015fi insigna glumea\u0163\u0103 &icirc;nnobil&acirc;ndu-i \u015fapca \u015fi veteranul de r\u0103zbel, purt&acirc;ndu-\u015fi satisf\u0103cut certificarea la rever, bobul de metal care &icirc;i confer\u0103 un loc &icirc;n autobuz, nu este prea mare diferen\u0163\u0103. Doar aceea c\u0103 b\u0103tr&acirc;nul &icirc;ncearc\u0103 s\u0103 ne spun\u0103 ceva cu insigna.<\/p>\n<p>P&acirc;n\u0103 la urm\u0103, colonialistul ofer\u0103 cioburi, semin\u0163e de oglind\u0103 &icirc;n care lumea reverbereaz\u0103 la nesf&acirc;r\u015fit, repet&acirc;nd ca la spovedanie toate lucrurile rele, &icirc;nmul\u0163indu-le &icirc;ns\u0103 \u015fi pe cele bune, ca &icirc;n parabola pe\u015ftilor, pentru a primi aur b\u0103\u015ftina\u015f. Avem nevoie istoric\u0103 de str\u0103lucire, chiar dac\u0103 ne mul\u0163umim c&acirc;teodat\u0103 numai cu luciul superficial.<\/p>\n<p>Tinicheaua cu \u015fnur certific\u0103, impune, atrage aten\u0163ia, d\u0103 dreptul.<\/p>\n<p>At&acirc;rn&acirc;nd peste noi, istoria creeaz\u0103 momentul. &Icirc;l impune. Bate medalie &icirc;ntru aducerea lui aminte. Nu-i de-ajuns un singur soare, sub care to\u0163i suntem p&acirc;n\u0103 la urm\u0103 egali. L\u0103s&acirc;ndu-se &icirc;n voia jocului s\u0103u de raze, n\u0103stureii \u0103\u015ftia, auri\u0163i \u015fi arginta\u0163i, ajung pe pieptul unora dintre noi. \u015ei astfel se na\u015fte ierarhia.<\/p>\n<p>Spunem \u015fi respunem istoria, tocindu-i &icirc;n\u0163elesurile tocmai pentru a ne fixa mai bine &icirc;n ele. Atunci c&acirc;nd st\u0103m la mas\u0103. Povestea repovestit\u0103 na\u015fte mitul, &icirc;n carafa goal\u0103 ascunz&acirc;ndu-se de-a valma eroii. Timpul se cuib\u0103re\u015fte &icirc;n drojdie, n\u0103sc&acirc;nd din fundul butoiului al\u0163i \u015fi al\u0163i semizei.&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p align=\"right\">C\u0103lin Torsan<\/p>\n<p><a href=\"http:\/\/www.sasha-liviu-stoianovici.blogspot.com\/\">http:\/\/www.sasha-liviu-stoianovici.blogspot.com\/<\/a><\/p>\n<p>Parteneri: revista Art Out, Modernism, Metropotam, Neaparat.ro, Port.ro, Artboom, ArtClue, Sfere.ro, Veioza de Arte.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Cuierul \u015fi oglinda Expozi\u0163ie Sa\u015fa-Liviu Stoianovici 11 &ndash; 25 mai, Sala Foaier, Muzeul Na\u0163ional&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/347"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=347"}],"version-history":[{"count":0,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/347\/revisions"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}