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<\/strong><\/strong>Caracteristic stilului s\u0103u, Lia Bugnar<\/strong> <\/span><\/span>oche\u015fte 7 metehne dintr-o lovitur\u0103, propun\u00e2nd <\/span> o versiune laic\u0103 a piesei lui Jean-Paul Sartre \u201eCu u\u0219ile \u00eenchise\u201d. Elemente commune? Spa\u021biul ermetic ca pretext al decorului \u0219i prezen\u021bei celor 7 personaje aduse laolalt\u0103, de\u0219i nu se cunosc. Introspec\u021bia. Prejudec\u0103\u021bi \u0219i judec\u0103\u021bi. Pedepse \u0219i vulnerabilit\u0103\u021bi. Cerin\u021be, sanc\u021biuni, tensiuni. Un casting \u0219i condi\u021biile de selec\u021bie reu\u0219esc s\u0103 \u021bin\u0103 \u00een aceea\u0219i camer\u0103 7 persoane total diferite.\u00a0 <\/span><\/span><\/p>\n \u00a0<\/span>La \u00eenceput, fiecare dintre ele poate s\u0103 \u00ee\u0219i fac\u0103 o descriere fidel\u0103 personalit\u0103\u021bii \u0219i intereselor; lucrurile sunt clare; interac\u021biunile sunt doar de complezen\u021b\u0103, ceea ce \u0219i permite publicului s\u0103 stabileasc\u0103 radiografiile personajelor \u0219i de ce nu, ne\u0219tiind ce va urma, un favorit. <\/span><\/p>\n \u00a0<\/span>Ce se \u00eent\u00e2mpl\u0103, \u00eens\u0103, c\u00e2nd spa\u0163iul de a\u0219teptare devine iadul lui Sartre? C\u00e2nd locul etan\u0219 duce la reflec\u021bie? C\u00e2nd,\u00a0 <\/span>f\u0103r\u0103 s\u0103 vrei, ajungi s\u0103 poveste\u0219ti detalii din via\u021ba ta unui necunoscut \u0219i s\u0103 \u00ee\u021bi pierzi coeren\u021ba sau \u0219armul afi\u0219at mai \u00eenainte? <\/span><\/p>\n \u00a0<\/span>\u00cen acela\u0219i timp, ce se \u00eent\u00e2mpl\u0103 c\u00e2nd iadul Domnului devine iadul lui Big Brother? O echip\u0103 de produc\u021bie \u0219i goana dup\u0103 rating, timp de trei zile, pun personajele pe sticl\u0103 <\/em>pisat\u0103 ca publicul s\u0103 aib\u0103 ce aplauda la sf\u00e2r\u0219it. <\/span><\/p>\n Ilinca Manolache, Anghel Damian, C\u0103t\u0103lin Babliuc, Lia Bugnar, Andrei Runcanu, Nicoleta Lefter, Marius Manole, Maria Obretin retr\u0103iesc recuren\u021ba u\u0219ilor \u00eenchise: \u201eIadul sunt ceilal\u0163i\u201d, la Cafe Godot<\/strong>. De aceast\u0103 dat\u0103, \u00eens\u0103, a r\u0103spunde \u00een fa\u021ba lui dumnezeu \u00eenseamn\u0103 a r\u0103spunde cerin\u021belor forumului emisiunii. Ceea ce p\u0103streaz\u0103 Lia Bugnar<\/strong> \u00een pies\u0103, sunt ceilal\u021bi<\/em> \u0219i constanta tendin\u021b\u0103 de justificare<\/em>. Ce-i drept, orice debran\u0219are de la exterior, duce c\u0103tre introspec\u021bie. Iadul \u00eencepe c\u00e2nd, \u00een reflect\u0103ri, intervin fortuit \u00eentreb\u0103rile celorlal\u021bi. Judec\u0103\u021bile lor. Prejudec\u0103\u021bile. Concluziile \u0219i folosul \u00eemprejurimilor.\u00a0 <\/span><\/span><\/p>\n \u00a0<\/span>\u00cen aceast\u0103 situa\u021bie cine devine favoritul<\/em>? Drogata? B<\/span>\u0103<\/span>d<\/span>\u0103<\/span>ranul? Timidul? Pi\u021bipoanca? Artista? Onestul? Glume\u021bul? Oare nu cel care se cunoa\u0219te \u00eentr-at\u00e2t de bine, \u00eenc\u00e2t s\u0103 poat\u0103 lua parte la orice judecat\u0103, inclusiv la propria sentin\u021b\u0103? Sau poate Marius Manole joac\u0103 rolul unui personaj care a \u00een\u021beles absurdul, \u00eenc\u00e2t con\u0219tiintei s\u0103 nu \u00eei pese de mustr\u0103ri, ci de resemnare? Poate sc\u0103pa de lovitur\u0103<\/strong> acela care nu vrea s\u0103 demonstreze cuiva ceva?\u00a0 <\/span><\/span><\/p>\n \u00a0<\/span>Sau \u00een piesa aceasta toate personajele mor, p\u00e2n\u0103 la urm\u0103? <\/span><\/p>\n \u00a0<\/span><\/p>\n Recenzie: Sorina Cimpoeru<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Caracteristic stilului s\u0103u, Lia Bugnar oche\u015fte 7 metehne dintr-o lovitur\u0103, propun\u00e2nd o versiune laic\u0103 a…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[2280,145,147,379,423,1075,1249,1336,1350,1501,1775,2070],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/3451"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=3451"}],"version-history":[{"count":0,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/3451\/revisions"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=3451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=3451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=3451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}