{"id":2656,"date":"2013-11-14T21:19:07","date_gmt":"2013-11-14T19:19:07","guid":{"rendered":"http:\/\/artout.ro\/blog\/?p=2656"},"modified":"2013-11-14T21:19:07","modified_gmt":"2013-11-14T19:19:07","slug":"noua-umbre-16-28-noiembrie-2013-sala-acvariu-muzeul-national-al-taranului-roman","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/noua-umbre-16-28-noiembrie-2013-sala-acvariu-muzeul-national-al-taranului-roman\/","title":{"rendered":"Nou\u0103 umbre 16 \u2013 28 noiembrie 2013, Sala Acvariu Muzeul Na\u021bional al \u021a\u0103ranului Rom\u00e2n"},"content":{"rendered":"

Expozi\u021bia de pictur\u0103 Nou\u0103 umbre<\/strong> se va desf\u0103\u0219ura \u00eentre 16 \u0219i 28 noiembrie 2013, \u00een Sala Acvariu a Muzeului Na\u021bional al \u021a\u0103ranului Rom\u00e2n, iar vernisajul se va \u021bine \u00een 16 noiembrie, de la ora 18:00.
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\n\u201eTraducerea imaginii \u00een text presupune dou\u0103 mi\u0219c\u0103ri: pe de o parte una interpretativ\u0103, a descompunerii hermeneutice, iar pe de alta una de compunere, de reconfigurare \u00een limbaj fic\u021bional. Am \u00eencercat \u00een aceast\u0103 a doua mi\u0219care, infinitezimal consecutiv\u0103 celei dint\u00e2i, s\u0103 respect stilul abord\u0103rii vizuale care \u00eei apar\u021bine Nectariei Radu: fragmentar, ermetic f\u0103r\u0103 a fi obscur, aluziv, \u00een tonuri pregnante. De asemenea, \u00een acela\u0219i spirit, am configurat o lume fic\u021bional\u0103 aflat\u0103 \u00een no man’s land-ul dintre poezie \u0219i proz\u0103, deschis\u0103 nu doar interpret\u0103rilor, ci \u0219i complet\u0103rilor, una care solicit\u0103 dialogul cu privitorul-cititor.<\/p>\n

\t\u00cens\u0103, odat\u0103 transpuse pe p\u00e2nz\u0103, textele mele \u00ee\u0219i pierd par\u021bial caracterul literar, c\u0103p\u0103t\u00e2nd \u00een plus unul vizual. Devin o umbr\u0103 a umbrei, o punere \u00een abis, prin dedublare, a imaginilor originare din tablourile Nectariei Radu.\u201d T. O. Bobe<\/p>\n

\t\u201ePlec\u00e2nd de la experien\u021bele personale \u00een zona conexiunilor cu alte domenii, precum: grafica publicitar\u0103 \u0219i multimedia, designul de interior, am \u00eenceput sa fiu din ce \u00een ce mai atras\u0103 de \u00eembinarea diferitelor arte \u00een pictur\u0103, urm\u0103rind delimitarile actului creator. Astfel am \u00eenceput colaborarea cu scriitorul T. O. Bobe, prin dialogul dintre imagine \u0219i text.\u201d Nectaria Radu.<\/p>\n

\t\u201e\u00cen aceast\u0103 perspectiv\u0103 a marilor momente de a\u0219ezare in Istorie, cele Nou\u0103 umbre a\u0219az\u0103 imaginea, ca vertical\u0103 asumat\u0103, cu sens anagogic, \u00een prim-planul unei lumi instituite, iar textul, cuv\u00e2ntul ca semn grafic, \u00eempreun\u0103 cu \u00eentreaga lui \u00eenc\u0103rc\u0103tur\u0103, \u00een ipostaza de umbr\u0103, de memorie extins\u0103, de semnificant la intersec\u0163ia, sau \u00een zona de inciden\u021b\u0103, a dou\u0103 neanturi, a dou\u0103 nonexisten\u0163e, negrul orb \u0219i albul orbitor! Dac\u0103 Textul lui T.O. Bobe este proiec\u021bia, urma \u0219i umbra narativ\u0103 a imaginii Nectariei Radu, Imaginea, la r\u00e2ndul ei, nu este un decupaj al realului, o prelevare de forme gata constituite, ci hieroglifa acestuia, cod de acces, efigie a unei existen\u021be sublimate, ea \u00eens\u0103\u015fi urma sau umbra unei lumi decorporalizate, pasul c\u0103tre o nou\u0103 transcenden\u0163\u0103. Nou\u0103 Umbre – nou\u0103 pa\u0219i, \u00een cerc, pe traseul Paradis – Istorie \u015fi retur!\u201d Pavel \u0218u\u0219ar\u0103<\/p>\n


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Expozi\u021bia de pictur\u0103 Nou\u0103 umbre se va desf\u0103\u0219ura \u00eentre 16 \u0219i 28 noiembrie 2013, \u00een…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[848,1461,1516,1654,1866,2206],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/2656"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=2656"}],"version-history":[{"count":0,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/2656\/revisions"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=2656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=2656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=2656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}