{"id":12606,"date":"2017-12-11T18:51:19","date_gmt":"2017-12-11T18:51:19","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=12606"},"modified":"2017-12-11T18:51:19","modified_gmt":"2017-12-11T18:51:19","slug":"gala-de-jerome-bel-spectacolul-dansului","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/gala-de-jerome-bel-spectacolul-dansului\/","title":{"rendered":"Gala de J\u00e9r\u00f4me Bel &#8211; spectacolul dansului"},"content":{"rendered":"<p><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/poza.png\"><img loading=\"lazy\" class=\"aligncenter wp-image-12607 size-full\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/poza.png\" alt=\"poza\" width=\"913\" height=\"189\" data-id=\"12607\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/poza.png 913w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/poza-300x62.png 300w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/poza-624x129.png 624w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/poza-900x186.png 900w\" sizes=\"(max-width: 913px) 100vw, 913px\" \/><\/a><\/p>\n<p><b><span lang=\"RO\">Gala de J\u00e9r\u00f4me Bel, spectacolul dansului<\/span><\/b><\/p>\n<p><em><span lang=\"RO\">Reflexiv, angajant, inspirant<\/span><\/em><\/p>\n<p style=\"text-align: justify;\"><strong><em>Bucure\u0219ti, 11 decembrie 2017 &#8211; <\/em><\/strong>Pe 8 decembrie 2017 au \u00eenceput repeti\u021biile pentru spectacolul <strong>Gala de J\u00e9r\u00f4me Bel<\/strong>, care va putea fi v\u0103zut la Teatrul Odeon, pe 13 \u0219i 14 decembrie, de la ora 19:00. Asisten\u021bii pentru adaptarea bucure\u0219tean\u0103 a acestei crea\u021bii, Chiara Gallerani \u0219i C\u00e9dric Andrieux, vor lucra cu 20 dedansatori selecta\u021bi exclusiv din Rom\u00e2nia : \u0218tefan B\u0103\u021bro\u0219, Andreea Cazacu, Maggie Chi\u021boran, Catinca D\u0103iciulescu, Denis Dinulescu, Andrea Gavriliu, Alexandra Gold, Ginel Guiu, Maria Hoisescu, Toto Horvat,Nicoleta Lefter, Mohammad Abedin Nejadi, Zakieh Abedin Nejadi, Silvia-Ioana Niculae, Adrian P\u0103un, Ioana Perescu, Anca Pop, Giulia Maria Stoian, Eliza Trefa\u0219, Cosmin Vasile.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/jerome_bel_13_HD_Photographer-Jos\u00e9-Frade-Teatro-Maria-Matos-Lisboa-Portugal-April-2016-3.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-12608 size-large\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/jerome_bel_13_HD_Photographer-Jos\u00e9-Frade-Teatro-Maria-Matos-Lisboa-Portugal-April-2016-3-1024x682.jpg\" alt=\"jerome_bel_13_HD_Photographer Jos\u00e9 Frade, Teatro Maria Matos, Lisboa (Portugal, April 2016) (3)\" width=\"625\" height=\"416\" data-id=\"12608\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/jerome_bel_13_HD_Photographer-Jos\u00e9-Frade-Teatro-Maria-Matos-Lisboa-Portugal-April-2016-3-1024x682.jpg 1024w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/jerome_bel_13_HD_Photographer-Jos\u00e9-Frade-Teatro-Maria-Matos-Lisboa-Portugal-April-2016-3-300x200.jpg 300w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/jerome_bel_13_HD_Photographer-Jos\u00e9-Frade-Teatro-Maria-Matos-Lisboa-Portugal-April-2016-3-624x416.jpg 624w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/12\/jerome_bel_13_HD_Photographer-Jos\u00e9-Frade-Teatro-Maria-Matos-Lisboa-Portugal-April-2016-3-900x600.jpg 900w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Actori, balerini \u0219i dansatori profesioni\u0219ti vor evolua pe scen\u0103 al\u0101turi de amatori ai dansului \u0219i oameni pecare publicul nu are ocazia de a-i vedea \u00een acest context \u2013 copii, adolescen\u021bi, persoane \u00een v\u00e2rst\u0103, cu handicap, etc.<\/p>\n<p style=\"text-align: justify;\">Spectacolul prezint\u0103 \u0219i deconstruie\u0219te modelele \u0219i canoanele acceptate ale baletului \u0219i ale dansului contemporan, uneori cu timidit\u0103\u021bi, gre\u0219eli \u0219i st\u00e2ng\u0103cii. Prin acestea sunt dezv\u0103luite singularit\u0103\u021bile fiec\u0103ruia dintre membrii grupului, contrast\u00e2nd cu formarea academic\u0103 care tinde s\u0103 creeze omogenitate \u0219i ouniformizare a comportamentelor. Astfel, \u00een aceast\u0103 formul\u0103 colectiv\u0103, dansul \u00ee\u0219i recap\u0103t\u0103 dimensiunea sapolitic\u0103 \u0219i social\u0103 \u0219i capacitatea de a uni comunit\u0103\u021bile efemere.<\/p>\n<p style=\"text-align: justify;\"><i><span lang=\"RO\">\u201eGala aduce \u00een prim-plan a\u0219tept\u0103rile publicului \u0219i estompeaz\u0103 grani\u021bele dintre e\u0219ec \u0219i succes \u00een cadrul unui performance, suger\u00e2nd c\u0103 teatrul este comunitate, at\u00e2t pe scen\u0103, c\u00e2t \u0219i dincolo de ea. Este un tur de for\u021b\u0103, \u00eenc\u00e2nt\u0103tor de spectaculos \u0219i cu adev\u0103rat radical. \u201d<\/span><\/i><span lang=\"RO\"> (Roslyn Sulcas, New York Times)<\/span><\/p>\n<p style=\"text-align: justify;\">\u201e<em>\u00cen 2007 \u00eel vedeam pentru prima oar\u0103 pe J\u00e9r\u00f4me Bel &#8211; unul dintre cei mai anarhici coregrafi contemporani \u2013 la Centrul Na\u021bional al Dansului din Bucure\u0219ti. Coregraful francez a fost invitat atunci cu dou\u0103 spectacole \u2013 J\u00e9r\u00f4me Bel, realizat \u00een 1995, \u015fi The Last Performance (a lecture), 2004 \u2013 care marcau fundamental \u00eent\u00e2lnirea cu un limbaj artistic sp\u0103lat de surplusul de artificialitate, profund reflexiv \u00een raport cu semnifica\u021biile politice ale corpului, angajant \u0219i intens inspirant \u00een rela\u021bie cu analiza a ceea ce face un spectacol s\u0103 devin\u0103 spectacol. [\u2026] \u00cen 2017, Centrul Na\u021bional al Dansului invit\u0103 la Bucure\u0219ti spectacolul Gala, care marcheaz\u0103, \u00eempreun\u0103 cu Disabled Theatre, o transformare esen\u021bial\u0103 \u00een devenirea coregrafului J\u00e9r\u00f4me Bel, pe care o putem asocia transform\u0103rilor operate de Centru \u00een ultimul timp<\/em>\u201d, spune <strong>Mihaela Michailov<\/strong> \u00een eseul s\u0103u intitulat Dansul e al tuturor.<\/p>\n<p style=\"text-align: justify;\"><strong>Gala de de J\u00e9r\u00f4me Bel<\/strong>\u00a0\u00a0este una dintre crea\u021biile care au schimbat percep\u021bia publicului asupra dansului contemporan \u0219i chiar asupra corpului \u00eensu\u0219i. Spectacolul este prezentat de Centrul Na\u0163ional al Dansului Bucure\u015fti \u0219i Institutul Francez, pe 13 \u0219i 14 decembrie, la Teatrul Odeon, \u00een cadrul programului France Danse Orient-Express Rom\u00e2nia 2017, cu sprijinul Teatroskop. Reprezenta\u021bia din 13 decembrie va fi prefa\u021bat\u0103 de decernarea Premiilor CNDB 2017.<\/p>\n<p style=\"text-align: justify;\">#GalaJeromeBel #JeromeBel #PremiileCNDB #PremiileCNDB2017 #vazutlaCNDB #decesaCNDB#FranceDanse<\/p>\n<p style=\"text-align: justify;\">Partener al evenimentului: Orange<\/p>\n<p><span lang=\"RO\">Biletele s-au pus \u00een v\u00e2nzare la casa Teatrului Odeon (<\/span><span lang=\"RO\"><a href=\"https:\/\/maps.google.com\/?q=Calea+Victoriei+40-42&amp;entry=gmail&amp;source=g\" target=\"_blank\">Calea Victoriei 40-42<\/a><\/span><span lang=\"RO\">) \u0219i pe <\/span><span lang=\"RO\"><a href=\"http:\/\/kompostor.ro\/\" target=\"_blank\">kompostor.ro<\/a><\/span><span lang=\"RO\"> Pre\u021bul biletelor este 45 \u0219i 25 de lei.\u00a0<\/span><\/p>\n<p><span lang=\"RO\"><a href=\"https:\/\/www.kompostor.ro\/evenimente\/7207-gala-i-premiilecndb2017\" target=\"_blank\">https:\/\/www.kompostor.ro\/evenimente\/7207-gala-i-premiilecndb2017<\/a><\/span><\/p>\n<p><span lang=\"RO\"><a href=\"https:\/\/www.kompostor.ro\/evenimente\/7208-gala\" target=\"_blank\">https:\/\/www.kompostor.ro\/evenimente\/7208-gala<\/a>\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\">Evenimentul este organizat de Institutul Francez din Rom\u00e2nia \u0219i Centrul Na\u021bional al Dansului Bucure\u0219ti \u00eencadrul France Danse Orient-Express 2017, proiect regional coordonat Teatroskop. Teatroskop este unprogram de cooperare \u00eentre Fran\u021ba \u0219i \u021b\u0103rile din Europa de SE \u00een domeniul artele spectacolului, ini\u021biat deInstitutul Francez de la Paris, Ministerul Culturii \u0219i Ministerul Europei \u0219i al Afacerilor externe din Fran\u021ba.<\/p>\n<p style=\"text-align: justify;\">Informa\u021bii suplimentare:\u00a0<a href=\"http:\/\/cndb.ro\/\"><strong>cndb.ro<\/strong><\/a><\/p>\n<p><span lang=\"RO\"><a href=\"https:\/\/www.facebook.com\/CentrulNationalalDansuluiBucuresti\/\" target=\"_blank\"><b>https:\/\/www.facebook.com\/CentrulNationalalDansuluiBucuresti\/<\/b><\/a><\/span><\/p>\n<p><b><span lang=\"RO\">Persoan\u0103 de contact: Irina Marinescu, 0724 870 574<\/span><\/b><\/p>\n<p><b><span lang=\"RO\">Pentru contacte de pres\u0103, program\u0103ri de interviuri \u0219i\/sau reportaje, v\u0103 rug\u0103m s\u0103 lua\u021bi leg\u0103tura cu Andrei Popov, responsabilul de comunicare al Institutului Francez din Bucure\u0219ti, 0743 126 229, <\/span><\/b><span lang=\"RO\"><b><a href=\"mailto:andrei.popov@institutfrancais.ro\" target=\"_blank\">andrei.popov@institutfrancais.ro<\/a>\u00a0<\/b><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gala de J\u00e9r\u00f4me Bel, spectacolul dansului Reflexiv, angajant, inspirant Bucure\u0219ti, 11 decembrie 2017 &#8211; Pe&#8230;<\/p>\n","protected":false},"author":1,"featured_media":12608,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[5643,5641,5644,5642,5645],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/12606"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=12606"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/12606\/revisions"}],"predecessor-version":[{"id":12609,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/12606\/revisions\/12609"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media\/12608"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=12606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=12606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=12606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}