{"id":11842,"date":"2017-04-29T14:58:37","date_gmt":"2017-04-29T14:58:37","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=11842"},"modified":"2017-04-29T14:58:37","modified_gmt":"2017-04-29T14:58:37","slug":"leviathan","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/leviathan\/","title":{"rendered":"Leviathan"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #202020;\">Elite Art Gallery g\u0103zduie\u015fte \u00een perioada 13 aprilie \u2013 6 mai, expozi\u0163ia cu titlul \u201eLeviathan&#8221;. Evenimentul reune\u015fte lucr\u0103rile artistelor Daniela Don\u021bu-Ha\u0219cevoi \u0219i Nadejda Lungu. Deschiderea oficial\u0103 a expozi\u021biei se va \u021bine pe data de 13 aprilie, ora 18.00. Conceptul curatorial porne\u0219te de la drama Leviathan (2014) a regizorului rus Andrei Zvyagintsev. Produc\u021bia cinematografic\u0103 a luat Premiul Globul de Aur pentru cel mai bun film \u00eentr-o limb\u0103 str\u0103in\u0103 \u0219i a fost nominalizat\u0103 la\u00a0 Premiul Oscar pentru cel mai bun film str\u0103in. \u00cen temeiul unor interferen\u021be artistice, lucr\u0103rile au surs\u0103 de inspira\u021bie \u0219i fotografiile Nataliei G\u00e2rbu care surpinde o realitatea de esen\u021b\u0103 post-sovietic\u0103. Marcate de fr\u0103m\u00e2nt\u0103rile prezentului \u0219i istoria recent\u0103, artistele transmit prin pictur\u0103 consecin\u021bele corup\u021biei \u0219i disfuc\u021biilor de sistem. \u00cen acest context, dimensiunea dramatic\u0103 se reflect\u0103 printr-un figurativ \u00eempov\u0103rat de griji \u0219i cople\u0219it de s\u0103r\u0103cie, nedreptate \u0219i ur\u0103.<\/span><\/p>\n<p style=\"text-align: justify;\"><em style=\"font-style: italic; color: #202020;\">\u201ePo\u021bi tu s\u0103 prinzi leviatanul cu undi\u021ba, ori s\u0103-i legi limba cu o sfoar\u0103? Ridic\u0103-\u021bi numai m\u00e2na \u00eempotriva lui \u0219i vei pomeni de o asemenea lupt\u0103 \u0219i nu o vei mai \u00eencepe niciodat\u0103!\u02ee<\/em><span style=\"color: #202020;\">Cartea lui Iov, capitolul 41, Vechiul Testament<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #202020;\">\u00cempletirea dintre art\u0103 \u0219i istorie reflect\u0103 o realitate marcat\u0103 de sisteme politice capabile s\u0103 modeleze state \u0219i s\u0103 transforme oameni. La nivel social oamenii r\u0103m\u00e2n suspenda\u021bi\u00a0 pe linia unor decizii guvernamentale care genereaz\u0103 dezam\u0103gire \u0219i resemnare. Aceste anomalii se identific\u0103 \u00een Biblie printr-un balaur care reu\u0219e\u0219te s\u0103 supun\u0103 \u0219i controleze societatea. \u00cen pictura mural\u0103 rom\u00e2neasc\u0103 leviatanul apare \u00een Judecata de Apoi \u0219i se identific\u0103 printr-un balaur cu dou\u0103 capete aflat \u00een slujba Diavolului. R\u00e2ul de foc din h\u0103urile iadului sau apele ad\u00e2nci ale leviatanului reprezint\u0103 o societate cople\u0219it\u0103 de griji, ispite \u0219i suferin\u021b\u0103. Tenta\u021biile realit\u0103\u021bii prezente se contureaz\u0103 prin urmele corup\u021biei asupra psihologiei umane. \u00cen acest context, lucr\u0103rile\u00a0<\/span><strong style=\"font-weight: bold; color: #202020;\">Danielei Don\u021bu-Ha\u0219cevoi<\/strong><span style=\"color: #202020;\">\u00a0reprezint\u0103 portrete prin a c\u0103ror ochi se reflect\u0103 resemnarea, acceptarea \u0219i supunerea. Grupurile de oameni definesc o societate credul\u0103, marcat\u0103 de reguli \u0219i lipsit\u0103 de drepturi. Astfel, jocul de tu\u0219e dus p\u00e2n\u0103 la transfigurare puncteaz\u0103 efemeritatea \u0219i fragilitatea fiin\u021bei umane. Aflat\u0103 \u00een acela\u0219i registru conceptual, artista\u00a0<\/span><strong style=\"font-weight: bold; color: #202020;\">Nadejda Lungu<\/strong><span style=\"color: #202020;\">\u00a0\u00eemprumut\u0103 din realitatea \u0219i atmosfera \u021b\u0103rilor afectate de comunism locuri uitate \u0219i locuitori uita\u021bi, case p\u0103r\u0103site \u0219i oameni p\u0103r\u0103si\u021bi, vie\u021bi distruse \u0219i vise r\u0103scolite. Ruinele \u2013 cimitire de amintiri, g\u0103zduiesc oameni captivi sistemului prin a c\u0103ror ochi se revars\u0103 o triste\u021be molipsitoare. Prin prisma acestui experiment pictural ce transpune v\u0103zutul \u00een st\u0103ri umane, drama filmului Leviathan se remarc\u0103 prin intensitate \u0219i sintetizare de mesaj social&#8221;. Ana Neagoe, curator<\/span><br style=\"color: #202020;\" \/><span style=\"color: #202020;\">\u00a0<\/span><br style=\"color: #202020;\" \/><em id=\"yui_3_16_0_ym19_1_1493306768512_23261\" style=\"font-style: italic; color: #202020;\">Expozi\u021bia va fi deschis\u0103 publicului \u00een intervalul 13 aprilie \u2013 6 mai 2017, la Elite Art Gallery\u00a0 din Pia\u0163a Na\u0163iunilor Unite, Nr. 3-5, Bl. B2, Parter, Sector 4, Bucure\u015fti<\/em><br style=\"color: #202020;\" \/><strong style=\"font-weight: bold; color: #202020;\">Elite Art Gallery<\/strong><span style=\"color: #202020;\">\u00a0are drept scop promovarea tinerilor arti\u0219ti, prin organizarea unor ample proiecte culturale care expun publicului noi forme de exprimare artistic\u0103, abord\u0103ri inovatoare ale artei moderne precum \u0219i ale unor valori deja consacrate. Asocia\u021bia implementeaz\u0103 proiecte \u00een domeniul artelor vizuale, muzicii dar \u0219i proiecte educa\u021bionale.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Elite Art Gallery g\u0103zduie\u015fte \u00een perioada 13 aprilie \u2013 6 mai, expozi\u0163ia cu titlul \u201eLeviathan&#8221;&#8230;.<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5212,3810],"tags":[],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/11842"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=11842"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/11842\/revisions"}],"predecessor-version":[{"id":11844,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/11842\/revisions\/11844"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=11842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=11842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=11842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}