{"id":11556,"date":"2017-03-02T19:41:34","date_gmt":"2017-03-02T19:41:34","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=11556"},"modified":"2017-03-02T19:41:34","modified_gmt":"2017-03-02T19:41:34","slug":"un-cosmar-de-isaac","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/un-cosmar-de-isaac\/","title":{"rendered":"Teatrul Evreiesc de Stat  prezint\u0103 PREMIERA spectacolului SACRIFICATORUL: UN CO\u0218MAR, de Isaac Bashevis Singer"},"content":{"rendered":"<p style=\"text-align: center;\"><em>Regia \u0219i scenografia:<\/em><strong> RAFAEL GOLDWASER<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Asisten\u021bi de regie: <\/em><strong>YORDAN GOLDWASER, CRISTINA MOHAN<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Muzica:<\/em><strong> GUALTIERO DAZZI<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Video:<\/em><strong> MARIETTE FELTIN<\/strong><\/p>\n<p style=\"text-align: center;\"><em>Distribu\u0163ia:<\/em><strong> RAFAEL GOLDWASER<\/strong><\/p>\n<p><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/03\/Afis-Sacrificatorul.jpg\"><img loading=\"lazy\" class=\" wp-image-11558 aligncenter\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/03\/Afis-Sacrificatorul.jpg\" alt=\"Afis Sacrificatorul\" width=\"482\" height=\"674\" data-id=\"11558\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/03\/Afis-Sacrificatorul.jpg 2000w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/03\/Afis-Sacrificatorul-214x300.jpg 214w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/03\/Afis-Sacrificatorul-731x1024.jpg 731w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/03\/Afis-Sacrificatorul-624x873.jpg 624w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2017\/03\/Afis-Sacrificatorul-900x1260.jpg 900w\" sizes=\"(max-width: 482px) 100vw, 482px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><em>,,Aceast\u0103 nuvel\u0103 a lui Isaac Bashevis Singer, laureat al Premiului Nobel pentru Literatur\u0103 \u00een 1978, este emblematic\u0103 pentru pozi\u0163ia omului credincios, care a renun\u0163at la credin\u0163\u0103, g\u00e2ndind c\u0103 Dumnezeu a transmis cruzimea sa oamenilor. Vegetarianismul lui Singer, evident \u00een acest text, reprezint\u0103 o contesta\u0163ie ideologic\u0103 a cruzimii suferit\u0103 de animalele sacrificate, \u00een numele lui Dumnezeu.<\/em><\/p>\n<p style=\"text-align: justify;\"><em>Povestitor este \u00eensu\u015fi Isaac Bashevis Singer, cel care interogheaz\u0103 \u015fi denun\u0163\u0103 regulile sacrificiului ritual al animalelor. Ioin\u0103-Meir ar fi trebuit s\u0103 devin\u0103 rabin la Colomeea,dar ajunge hahamul satului. Aceast\u0103 func\u0163ie ingrat\u0103 \u00eel \u00eentristeaz\u0103 profund. Are impresia c\u0103 a plonjat \u00eentr-o baie de s\u00e2nge permanent\u0103, de unde nu \u015ftie cum s\u0103 mai ias\u0103. Caut\u0103 s\u0103-\u015fi justifice toate sacrificiile rituale \u015fi apeleaz\u0103 la Cabala pentru a \u00een\u0163elege comportamentul divin fa\u0163\u0103 de animalele decapitate (\u2026).\u201d (Rafael Goldwaser)<\/em><\/p>\n<p style=\"text-align: justify;\"><em>\u201e(\u2026) Tora \u00eens\u0103\u015fi e scris\u0103 pe piele. Totul e cl\u0103dit pe vite t\u0103iate. Tat\u0103 din ceruri, e\u015fti un haham \u015fi un \u00eenger al mor\u0163ii! Lumea \u00eentreag\u0103 e un abator!\u201d (Isaac Bashevis Singer, <\/em>Der Shoykhet<em>).<\/em><\/p>\n<p style=\"text-align: justify;\">\u00a0<strong>PREMIERA OFICIAL\u0102:<\/strong><strong>3 martie, ora 19.00, Teatrul Evreiesc de Stat<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Regia \u0219i scenografia: RAFAEL GOLDWASER Asisten\u021bi de regie: YORDAN GOLDWASER, CRISTINA MOHAN Muzica: GUALTIERO DAZZI&#8230;<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5212,3810],"tags":[],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/11556"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=11556"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/11556\/revisions"}],"predecessor-version":[{"id":11559,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/11556\/revisions\/11559"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=11556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=11556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=11556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}