{"id":10879,"date":"2016-10-26T14:47:06","date_gmt":"2016-10-26T14:47:06","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=10879"},"modified":"2016-10-26T15:50:07","modified_gmt":"2016-10-26T15:50:07","slug":"institutul-francez-din-bucuresti-prezinta-spectacolul-fugato-labile-camille-claudel","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/institutul-francez-din-bucuresti-prezinta-spectacolul-fugato-labile-camille-claudel\/","title":{"rendered":"INSTITUTUL FRANCEZ DIN BUCURE\u015eTI PREZINT\u0102 SPECTACOLUL FUGATO LABILE: CAMILLE CLAUDEL"},"content":{"rendered":"

Camille despre Camille<\/em><\/strong><\/p>\n

\u201cTout ce qui m\u2019est arriv<\/em>\u00e9<\/em> est plus qu\u2019un roman c\u2019est une <\/em>\u00e9<\/em>pop<\/em>\u00e9<\/em>e, l\u2019Illiade et l\u2019Odysse et il faudrait un Hom<\/em>\u00e8<\/em>re pour la raconter. Je ne l\u2019entreprendrai pas aujourd\u2019hui et je ne veux pas vous attrister. Je suis dans un gouffre. Je vis dans un monde si curieux, si estrange. Du r<\/em>\u00ea<\/em>ve que fut ma vie, ceci est le cauchemar.\u201d <\/em>(Camille\u00e0<\/em> Eugene Blot, Asile de Montdevergues)<\/p>\n

\"cats\"<\/a><\/p>\n

,,Camille Claudel. Femeia artist cunoscut<\/em>\u0103 mai mult pentru rela\u0163ia ei cu Rodin (c\u0103ruia i-a fost elev\u0103, confident\u0103, amant\u0103 \u015fi muz\u0103) \u015fi-a dep\u0103\u015fit timpul \u015fi a fost dat\u0103 uit\u0103rii chiar de oamenii cei mai apropia\u0163i ei. Un destin remarcabil, at\u00e2t prin for\u0163a cu care a p\u0103truns \u015fi a reu\u015fit \u00een lumea artistic\u0103, c\u00e2t \u015fi prin tragismul care i-a marcat sf\u00e2r\u015fitul. Paul Claudel fratele ei mai mic, spunea c\u0103 ar fi fost \u00eenzestrat\u0103 cu toate darurile ; considerat\u0103 genial\u0103, inteligent\u0103, cultivat\u0103, de o frumuse\u0163e izbitoarea –\u00a0 a fost d\u0103ruit\u0103 acestei lumi pentru a revela frumosul. Camille Claudel a adus sculptura \u00eentr-un punct <\/em>\u00een<\/em> care echilibrul sfida zborul. Nu a fost ins<\/em>\u0103 l\u0103sat\u0103 s\u0103 zboare. Nu o permiteau prejudec\u0103\u0163ile timpului, Nu se c\u0103dea, Nu era voie\u2026 Camille Claudel a luptat cu fiecare NU al timpului ei… devenind ea \u00eens\u0103\u015fi un NU, refuz\u00e2nd s\u0103 mai lucreze, s\u0103 mai existe. A trebuit s\u0103 treac\u0103 aproape un secol pentru a se i se recunoa\u015fte geniul.\u201c <\/em>(Liana Ceterchi)<\/p>\n

,,Drag\u0103 Camille, sculptura ta a devenit manifestul sculpturii moderne. Acolo ai devenit \u2026 tu \u00eens\u0103\u0163i, eliberat\u0103 de influen\u0163a lui Rodin, la fel de talentat\u0103 \u00een inspira\u0163ie \u015fi \u00een m\u0103iestrie artistic\u0103. Cu tine p\u0103r\u0103sim falsele aparen\u0163e \u00een favoarea lumii ideale a g\u00e2ndirii. E\u015fti genial\u0103! Cum de ne-ai putut lipsi de at\u00e2ta frumuse\u0163e?\u201c<\/em> (Eugene Blot<\/em>\/Georgette Garb\u00e8s Putzel)<\/p>\n

,,Camille Claudel s-a n\u0103scut purt\u00e2nd <\/em>\u00een ea povara genialit\u0103\u0163ii, iar geniile sunt victimele timpului \u00een care tr\u0103iesc. Camille a fost o deschiz\u0103toare de drumuri in arta sculptural\u0103 a sf\u00e2\u015fitului secolului XIX \u015fi a \u00eenceputului secolului XX. \u00centr-o societate profund patriarhal\u0103, \u00een care femeia era \u00eenghesuit\u0103 \u00een roluri limitative de so\u0163ie, mam\u0103\u00a0 \u015fi eventual amant\u0103, Camille a \u00eendr\u0103znit s\u0103 spun\u0103 NU! Ea \u00ee\u015fi dorea s\u0103 sculpteze!<\/em><\/p>\n

Camille Claudel: la sculpture <\/em>\u00e0<\/em> \u00a0la folie!<\/em><\/p>\n

Camille Claudel \u015fi Auguste Rodin: p<\/em>asiunea la patru m\u00e2ini!<\/em><\/p>\n

Cine pe cine a influen<\/em>\u0163at?<\/em><\/p>\n

Cine de la cine a ,,furat<\/em>\u201c<\/em> idei?<\/em><\/p>\n

Cine s-a folosit de cel\u0103lalt mai mult?!<\/em> \u201c<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (Edith Negulici)<\/p>\n

\"fugato-labile-camille-claudel\"<\/a><\/h3>\n

DE CE CAMILLE CLAUDEL?<\/em><\/strong><\/h3>\n

Dup\u0103 Anne Frank, Rose, Charlotte Salmon, Zelda Fitzgerald, Mata Hari, Vivien Leigh, Camille Claudel mi se pare \u00een ordinea fireasc\u0103 a lucrurilor. M\u0103 fascineaz\u0103 s\u0103 urm\u0103resc destinul acestor femei artist \u00eenfrunt\u00e2nd normele impuse de epoca \u015fi de societatea \u00een care tr\u0103iau, \u00eenfrunt\u00e2nd prejudec\u0103\u0163ile, av\u00e2nd o viziune care dep\u0103\u015fea timpul lor. P\u00e2n\u0103 la un punct traiectoria lor se aseam\u0103n\u0103 \u015fi Dragostea este de fiecare dat\u0103 o mare r\u0103scruce \u015fi un factor determinant \u00een carierele lor. <\/em>\u00ce<\/em>mi dau seama c\u0103 vorbind despre ele, vorbesc de fapt despre cuplu. Se spune c\u0103 \u00een spatele unui b\u0103rbat mare st\u0103 o femeie deosebit\u0103 \u015fi cred c\u0103 \u015fi reciproca este cel pu\u0163in la fel de valabil\u0103. <\/em><\/p>\n

Am fost cuprins\u0103 de m\u00e2ndrie afl\u00e2nd c\u0103 exist\u0103 la Muzeul Na\u0163ional de Art\u0103 al Rom\u00e2niei dou\u0103 lucr\u0103ri ale lui Camille Claudel<\/em> Sculptorul Rodin (gips patinat) \u015fi Tors de femeie (bronz) \u015fi mi-a\u015f dori ca prin acest spectacol s\u0103 fac cunoscut publicului \u015fi acest lucru. Mi-a\u015f dori astfel ca p<\/em>ublicul \u0163rom\u00e2n s\u0103 aib\u0103 ocazia s\u0103 descopere via\u0163a acestei artiste excep\u0163ionale care s-a luptat pentru promovarea femeii artist<\/em>.<\/p>\n

Camille! <\/strong>De ce Camille Claudel?! Pentru c\u0103 am sim\u0163it c\u0103 nu se poate f\u0103r\u0103<\/strong> Camille Claudel. A fost proiectul cu care am \u00eent\u00e2mpinat cele mai \u201cciudate\u201d obstacole, de la actri\u0163e care au refuzat partitura, la directori de teatru care ne-au abandonat \u2026 Destinul real al lui Camille s-a prelungit \u00eentr-un fel straniu \u015fi asupra spectacolului nostru: a\u015fa cum \u00een via\u0163\u0103, ea nu a avut o cas\u0103 a ei\u2026mama ei refuz\u00e2nd s-o reprimeasc\u0103 \u00een casa p\u0103rinteasc\u0103, Paul Claudel fratele ei care avea un castel, nu i-a oferit o cam\u0103ru\u0163\u0103 acolo\u2026\u015fi p\u00e2n\u0103 la un morm\u00e2nt\u2026de care nu a avut parte –<\/em>Camille are o groap\u0103 comun\u0103. Sper ca acest spectacol s\u0103 fie un „remember” mai\u00a0 puternic\u00a0dec\u00e2t toate coroanele funerare<\/em>. Singurele m\u0103rturii ale vie\u0163ii ei de artist\u0103 genial\u0103 sunt lucr\u0103rile ei superbe, sfid\u00e2nd TIMPUL!(Liana Ceterchi)<\/em><\/p>\n

\u00ce<\/strong>n distribu<\/strong>\u0163<\/strong>ie:<\/strong>\u00a0 LIANA CETERCHI, TEODORA TOADER, CEZARA MUNTEANU<\/strong><\/p>\n

Traducerea: Edith Negulici <\/strong><\/p>\n

Un spectacol al Asocia\u0163iei Femeilor din Teatru IF<\/strong><\/em>…\/DAC\u0102 \u2026PENTRU FEMEI <\/strong>realizat cu sprijinul UNITER <\/strong><\/p>\n

Premiera: 1 noiembrie, ora 19.30 la Sala Elvire Popesco<\/strong><\/p>\n

INSTITUTUL FRANCEZ – Bd. Dacia 77<\/strong><\/p>\n

Biletele se g\u0103sesc online pe https:\/\/eventbook.ro<\/a> \u015fi \u00een reteaua Eventbook. \u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Camille despre Camille \u201cTout ce qui m\u2019est arriv\u00e9 est plus qu\u2019un roman c\u2019est une \u00e9pop\u00e9e,…<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/10879"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=10879"}],"version-history":[{"count":3,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/10879\/revisions"}],"predecessor-version":[{"id":10885,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/10879\/revisions\/10885"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=10879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=10879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=10879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}