{"id":10019,"date":"2016-04-19T17:27:30","date_gmt":"2016-04-19T17:27:30","guid":{"rendered":"http:\/\/artout.ro\/reviste\/blog\/?p=10019"},"modified":"2016-04-19T17:27:30","modified_gmt":"2016-04-19T17:27:30","slug":"istoria-nazista-secreta-a-portelanului","status":"publish","type":"post","link":"https:\/\/artout.ro\/reviste\/blog\/istoria-nazista-secreta-a-portelanului\/","title":{"rendered":"Istoria nazist\u0103 secret\u0103 a por\u021belanului"},"content":{"rendered":"<p style=\"text-align: justify;\">Por\u021belanul este asociat obiectelor de zi cu zi &#8211; \u00eens\u0103 \u00een esen\u021b\u0103, acest material alb ascunde o poveste obscur\u0103 despre obsesie, putere \u0219i puritate, explic\u0103 Edmund de Waal.<\/p>\n<p style=\"text-align: justify;\">Primii artizani europeni reu\u0219ind pentru prima oar\u0103, \u00een secolul XVIII, s\u0103 descopere produc\u021bia por\u021belanului, au fost locuitorii ora\u0219ului german Dresden.<\/p>\n<p style=\"text-align: justify;\">Augustus cel Puternic, conduc\u0103tor al Saxoniei, a devenit at\u00e2t de obsedat de acest material \u00eenc\u00e2t a ajuns s\u0103 fie cuprins de ceea ce ei numeau <em>Porzellenkrankheit <\/em>sau <em>nebunia por\u021belanului. <\/em>A construit palate pentru a-\u0219i ad\u0103posti imensele colec\u021bii &#8211; inclusiv regimente \u00eentregi de solda\u021bi &#8211; pentru a umple lumea cu aceste simboluri ale puterii sale.<\/p>\n<p style=\"text-align: justify;\"><em>Por\u021belanul meissan &#8211; <\/em>numit astfel dup\u0103 ora\u0219ul \u00een care a fost produs &#8211; a fost cur\u00e2nd asociat cu idealul Teuton, la care Edmund de Wall face referire ca fiind &#8222;o substan\u021b\u0103 alb\u0103 pur\u0103 f\u0103cut\u0103 din p\u0103m\u00e2nt german&#8221;.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/04\/21.png\"><img loading=\"lazy\" class=\"aligncenter wp-image-10023\" src=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/04\/21.png\" alt=\"2\" width=\"600\" height=\"338\" data-id=\"10023\" srcset=\"https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/04\/21.png 624w, https:\/\/artout.ro\/reviste\/blog\/wp-content\/uploads\/2016\/04\/21-300x168.png 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Foto: <a href=\"http:\/\/www.bbc.com\/culture\/story\/20160311-the-secret-nazi-history-of-porcelain\">http:\/\/www.bbc.com\/culture\/story\/20160311-the-secret-nazi-history-of-porcelain<\/a><\/p>\n<p style=\"text-align: justify;\">\u00cens\u0103 leg\u0103tura dintre ceramica Meissan \u0219i partidul nazist este arareori discutat\u0103. De Wall viziteaz\u0103 arhiva Meissen pentru a descoperi cum por\u021belanul Allach &#8211; venerat de conduc\u0103torii celui de-al treilea Reich &#8211; a fost ob\u021binut \u00een lag\u0103rul de concentrare de la Dachau.<\/p>\n<p style=\"text-align: justify;\">Edmund de Waal investigheaz\u0103 pove\u0219tiile \u0219i documentele istorice ata\u0219ate fiec\u0103rui obiect. \u00cen acest episod Artsnight, el exploreaz\u0103 puterea creativ\u0103 a rememor\u0103rii &#8211; chiar \u0219i a amintirilor pe care poate ne-am dori s\u0103 le uit\u0103m.<\/p>\n<p style=\"text-align: justify;\"><em>Andra Olari<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u021belanul este asociat obiectelor de zi cu zi &#8211; \u00eens\u0103 \u00een esen\u021b\u0103, acest material alb&#8230;<\/p>\n","protected":false},"author":22,"featured_media":10022,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/10019"}],"collection":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/comments?post=10019"}],"version-history":[{"count":1,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/10019\/revisions"}],"predecessor-version":[{"id":10024,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/posts\/10019\/revisions\/10024"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media\/10022"}],"wp:attachment":[{"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/media?parent=10019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/categories?post=10019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artout.ro\/reviste\/blog\/wp-json\/wp\/v2\/tags?post=10019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}